Short description
Quick Overview
- 24.2MP Full-Frame Exmor R BSI Sensor
- BIONZ X Image Processor
- UHD 4K30p Video with HLG & S-Log3 Gammas
- 693-Point Hybrid AF System
- 2.36m-Dot OLED Electronic Viewfinder
- 3.0" 921.6k-Dot Vari-Angle Touchscreen
- 5-Axis In-Body Image Stabilization
- Shooting Up to 10 fps, ISO 50-204800
- Bluetooth and Wi-Fi Connectivity
- FE 28-60mm f/4-5.6 Lens
- Filter Size - 40.5mm (Front)
Product Description
Compact and capable, the black Sony Alpha a7C mixes the quality and advantages of a full-frame sensor with an, especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for every day, all-day carry.
The full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast-detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs is 5-axis in-body image stabilization, which compensates for up to five stops of camera shake for sharper handheld shooting.
Compared to other a7-series camera bodies, the a7C has a distinctly sleeker profile that mimics the styling of a rangefinder, with an offset viewfinder and a streamlined top plate. The re-positioned electronic viewfinder is a 0.39"-type OLED with 2.36m-dot resolution and is complemented by a 3.0" side-opening vari-angle touchscreen LCD. Built-in Wi-Fi and Bluetooth also enable wireless connectivity for remote camera control and sharing files to a connected mobile device.
24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor
Featuring a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.
The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter.
The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter.
UHD 4K Video Recording in XAVC S Format
Internal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling.
Affording extensive customizable color and gamma controls, the a7C allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available for HDR recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
Affording extensive customizable color and gamma controls, the a7C allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available for HDR recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
Body Design
- Compact and lightweight body design, along with a rangefinder-inspired layout, make the a7C a sleek and portable camera for everyday shooting. Compared to other a7-series cameras, the a7C is approximately 20% smaller and lighter, akin to the size of an APS-C-format camera.
- A 0.39"-type XGA OLED electronic viewfinder is featured and has a 2.36m-dot resolution and 0.59x magnification for bright, clear viewing in high detail.
- Rear 3.0" 921.6k-dot rear LCD features a side-open vari-angle design along to benefit working from high, low, and front-facing angles. It's also a touchscreen for intuitive control and playback.
- Magnesium-alloy chassis along with a weather-sealed design offers a durable overall construction for use in a variety of conditions.
- The large-capacity NP-FZ100 battery offers approximately 740 shots per charge when working with the rear LCD or 680 shots per charge when working with the EVF.
- Single SD memory card slot is rated to support UHS-II memory cards for fast transfer speeds.
- A USB 3.2 Gen 1 Type-C port offers for fast and reliable tethering support and also allows the camera to be charged from the host power source while connected.
- Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
- Both 3.5mm microphone and headphone ports are available for greater audio recording control.
- Built-in Wi-Fi enables the a7C to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
- Bluetooth connectivity allows for location data acquisition.
Fast Hybrid AF System
Covering a majority of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits.
5-Axis SteadyShot INSIDE Image Stabilization
Despite the sleek stature of the a7C, it features a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for various types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
FE 28-60mm f/4-5.6 Lens
Included with the camera body is the wide-angle to long-normal FE 28-60mm f/4-5.6 zoom, which is characterized by its retractable design and sleek profile to complement the compact camera body. The svelte design makes this lens ideal for walk-around, everyday shooting, and the flexible focal length range benefits a wide range of subject types. The optical design incorporates three aspherical elements, which help to reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieve quick and quiet autofocus performance for both photo and video needs. The lens body is also weather-sealed to permit working in trying environmental conditions.
Imaging
| Lens Mount | Sony E |
| Sensor Type | 35.6 x 23.8 mm (Full-Frame) CMOS |
| Sensor Resolution | Actual: 25.3 Megapixel Effective: 24.2 Megapixel (6000 x 4000) |
| Crop Factor | None |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | JPEG, Raw |
| Bit Depth | 14-Bit |
| Image Stabilization | Sensor-Shift, 5-Axis |
Exposure Control
| ISO Sensitivity | Auto, 100 to 51200 (Extended: 50 to 204800) |
| Shutter Speed | Mechanical Shutter 1/4000 to 30 Second Bulb Mode Electronic Shutter 1/8000 to 30 Second Bulb Mode |
| Metering Method | Average, Center-Weighted Average, Highlight Weighted, Multi-Zone, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3, 1/2 EV Steps) |
| Metering Range | -3 to 20 EV |
| White Balance | Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent, Incandescent, Shade, Underwater |
| Continuous Shooting | Up to 10 fps at 24.2 MP for up to 223 Frames (JPEG) / 115 Frames (Raw) Up to 8 fps at 24.2 MP Up to 6 fps at 24.2 MP Up to 3 fps at 24.2 MP |
| Interval Recording | Yes |
| Self-Timer | 2/5/10-Second Delay |
Video
| Recording Modes | H.264/XAVC S 4:2:0 8-Bit UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [60 to 100 Mb/s] Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s] |
| External Recording Modes | 4:2:2 8-Bit UHD 4K (3840 x 2160) at 23.976p/25p/29.97p Full HD (1920 x 1080) at 23.976p/50i/50p/59.94i/59.94p |
| Recording Limit | Unlimited |
| Video Encoding | NTSC/PAL |
| Audio Recording | Built-In Microphone (Stereo) External Microphone Input |
| Audio File Format | Linear PCM |
Focus
| Focus Type | Auto and Manual Focus |
| Focus Mode | Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) |
| Autofocus Points | Phase Detection: 693 Contrast Detection: 425 |
| Autofocus Sensitivity | -4 to +20 EV |
Viewfinder
| Viewfinder Type | Electronic (OLED) |
| Viewfinder Size | 0.39" |
| Viewfinder Resolution | 2,359,296 Dot |
| Viewfinder Eye Point | 20 mm |
| Viewfinder Coverage | 100% |
| Viewfinder Magnification | Approx. 0.59x |
| Diopter Adjustment | -4 to +3 |
Monitor
| Size | 3.0" |
| Resolution | 921,600 Dot |
| Display Type | Articulating Touchscreen LCD |
Flash
| Built-In Flash | No |
| Flash Modes | Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Wireless |
| Maximum Sync Speed | 1/160 Second |
| Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Dedicated Flash System | TTL |
| External Flash Connection | Hot Shoe |
Interface
| Media/Memory Card Slot | Single Slot: SD/SDHC/SDXC (UHS-II) |
| Connectivity | USB Type-C (USB 3.2 Gen 1), HDMI D (Micro), 3.5mm Headphone, 3.5mm Microphone |
| Wireless | Bluetooth Wi-Fi |
| GPS | No |
Environmental
| Operating Temperature | 32 to 104°F / 0 to 40°C |
Physical
| Battery | 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 740 Shots) |
| Dimensions (W x H x D) | 4.9 x 2.8 x 2.4" / 124 x 71.1 x 59.7 mm |
| Weight | 1.1 lb / 509 g (Body with Battery and Memory) |
Kit Lens
| Focal Length | 28 to 60mm |
| Maximum Aperture | f/4 to 5.6 |
| Minimum Aperture | f/22 to 32 |
| Angle of View | 75° to 40° |
| Maximum Magnification | 0.16x |
| Minimum Focus Distance | 11.8" / 30 cm |
| Optical Design | 8 Elements in 7 Groups |
| Diaphragm Blades | 7, Rounded |
| Focus Type | Autofocus |
| Image Stabilization | No |
| Filter Size | 40.5 mm (Front) |
| Dimensions (ø x L) | 2.6 x 1.8" / 66.6 x 45 mm |
| Weight | 5.9 oz / 167 g |
| In The Box | Sony Alpha a7C Mirrorless Digital Camera with 28-60mm Lens (Silver)
FE 28-60mm f/4-5.6 Lens
Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
AC Adapter
USB Type-A to USB Type-C Cable
Shoulder Strap
Sony ALC-B1EM Body Cap for E-Mount Cameras
Accessory Shoe Cap
Limited 1-Year Warranty |
|---|---|
| MFG Part# | ILCE7CL/S |
| Condition | New |
The world's smallest and lightest full-frame system
Introducing the smallest and lightest full-frame digital interchangeable-lens system with optical in-body image stabilisation (with FE 28-60mm F4-5.6 lens). Without compromising the performance of a full-frame camera, the component layout, body structure and internal mechanisms are all thoroughly reimagined. Operability and toughness have been optimised within a body that is approximately 19 smaller in volume and 22 lighter than the α7 III, at only 509 grams.
Expressiveness only possible with a full-frame sensor
A 35-mm full-frame image sensor is about 30x larger than a 1/2.3-type smartphone sensor and even 2.3x larger than an APS-C sensor. By capturing significantly more light, it opens up new creative possibilities through wider dynamic range, less noise, and higher perceived resolution. Deep bokeh, using shallow depth of field, is also possible in combination with a bright (wide-aperture) full-frame lens.[1]Full-size [2]APS-C [3]Micro four thirds [4]1-inch [5]1/2.3~1/3.4 inch.
Faithfully capture what you see
The back-illuminated Exmor R™ CMOS sensor and BIONZ X™ image processing engine work together beautifully. The extra-large pixels of a 24.2-megapixel full-frame sensor collect more light, for a 15-stop wide dynamic range and smoother gradations from shadows to highlights. Excellent subjective resolution and reduced noise pair with precise colour reproduction for beautifully accurate skin tones and natural textures.
Stunning bokeh, enabled by a full-frame sensor
Bokeh is selective focus with a blurred background that makes the subject stand out. Portraits or close ups are enhanced with new meaning and depth. The α7C, with its full-frame sensor, can achieve bokeh when a smaller sensor-size camera with the same f-stop lens might not. When paired with over 50 lenses available from Sony, the α7C becomes an excellent choice for creative photographic composition and movie creation.
Impressive low-light images
With its large pixel size, in dimly lit situations or at high shutter speeds, the camera takes beautiful pictures with low noise, even when in the high sensitivity range. Standard ISO is from 100 up to ISO 51200 (expandable from ISO 50 to ISO 204800). Noise reduction is designed to be particularly effective in the common mid-sensitivity range to faithfully reveal textures and detail in shadows.
Express yourself with E-mount lenses
Over 50 Sony E-mount lenses enables broad creative expression, and a full-frame sensor allows you to leverage the full capabilities of Sony lenses. From wide angles, to enhanced creative compression effects on telephoto lenses, with the full-frame α7C the possibilities are endless.
The engine that powers your images
The BIONZ X image processing engine reflects Sony's expertise in imaging technologies. It processes images with the front-end LSI in 16-bits and outputs 14-bit RAW data for richer, more natural gradations, even in silent or continuous shooting modes. Combined with the Sony sensor, it delivers excellent colour reproduction, noise reduction, and low-light performance.
Shoot sharp images without hand shake
5-axis image stabilisation lets you zoom, get close-ups and capture night scenes with greater clarity. Compensation is equivalent to a 5.0-step faster shutter speed. [1] Pitch [2] Yaw: for long focal lengths, [3] Horizontal [4] Vertical: for sideways/up-down during close-ups and macros, [5] Roll: for rotation during long exposures.
Stay focused anytime, anywhere Stay focused anytime, anywhere Stay focused anytime, anywhere Stay focused anytime, anywhere
Autofocus is improved by optimally applying the advancements of the α9, including the unique 4D FOCUS for wide-area, ultra-fast and steadfast tracking over time. With 693 phase-detection and 425 contrast-detection AF points, the sensor provides wide and high-density AF covering approx. 93% of the image.
Continuous focus on active subjects
When you're tracking a fast-moving subject, the camera can utilise built-in AI-based Real-time Tracking. This subject recognition algorithm draws on colour, pattern (brightness), subject distance (depth), and face/eye information to recognise and hold onto your subject.
Capture the eyes to capture the shot
Real-time Eye AF highlights Sony's Speed x AI technology. For both stills and movies, when a face is partially hidden, looking down, or even backlit, focus stays on the subject's eye for reliably impressive portraits. It supports all AF modes, and when [Face/Eye Priority in AF] is set to ON, it's activated three ways: custom key, half-pressing the shutter, or AF-ON button.
Capture focus with animal eyes, too
With cutting-edge algorithms, the α7C supports Real-time Eye AF with animal eyes. Focus on the eye instead of the nose or whiskers will greatly increase your success in capturing images of animals, from favourite pets at home to unpredictable wildlife. Tracking continues even if the subject is partially obscured or if your camera orientation changes.
Activate Real-time Tracking anytime, with AF-ON button
When the focus mode is AF-S, AF-A, AF-C, or DMF, Real-time Tracking can now be activated by the AF-ON button. This is a convenient way to capture moving subjects in snap shots even with the focus mode set to AF-S. Being able to initiate Real-time Tracking simply with a thumb press anytime under AF modes expands your shooting possibilities.
Intuitive touch operation and display
When using Real-time Tracking, etc., touching the LCD monitor can initiate autofocus for both stills and movies. Touching the LCD monitor under selected settings such as this allows for intuitive AF operation. When not using AF, focus can be checked with a quick glance at the LCD monitor. In DMF or manual focus (MF) modes, it brings up a peaking function that color-highlights the area of sharpest focus to adjust the focus point. Choose from four peaking colors for best visibility or contrast. This is especially effective when delicate focusing is required, like when shooting with a macro lens.
Don't miss the best shot of a moving subject
The α7C is capable of continuous shooting at up to 10 fps with AF/AE tracking, and up to 8 fps in live-view mode to keep focus on a moving subject and capture precise moments. When combined with silent shooting at up to 10 fps, it becomes possible to photograph in sound-sensitive environments, or capture active babies or pets without shutter sounds disturbing them.
Autofocus that works when it is getting dark
Advanced algorithms contribute to high autofocus and distance measurement precision even at light levels as low as EV-4 in the AF-S mode, allowing for shots with precise AF even when scenes are dark.
Take 4K movies to a higher level
Enjoy shooting movies with the depth of field control, beautiful bokeh, and the clean low-light scenes only possible with a full-frame sensor. The α7C shoots 4K (QFHD: 840×2160) using full-pixel readout and 6K oversampling, for exceptional detail with minimal moiré and jaggies.
Movie-making profiles for expressive creativity
With S-Log3 gamma profiles you can capture the full dynamic range of a scene, with up to 14-stops giving you access to fine details and gradations in both shadows and highlights during post-production. Alternatively, the HLG (Hybrid Log-Gamma) mode allows for direct HDR movie playback and workflows. In addition, the α7C has various Picture Profile settings to expand your possibilities for movie making.
In-camera high-speed, slow-motion effects
It's easy to create movies in-camera at frame rates from 1 to 120/100 fps for up to 60x quick motion and 5x slow motion in Full HD resolution. Turn everyday motion into extraordinary artistic moments with ease, to add drama and excitement to your movies.
Designed for movie-making
The MOVIE button has been moved to the top panel to improve access when shooting from different angles, including from waist-level and for selfie or vlogging shots. Also, the α7C codes vertical orientation in metadata so after uploading to social media via a smartphone, the newly popular vertical movie format plays back correctly, eliminating the need for post editing on a PC.
Clear digital audio recording
The α7C supports a digital audio interface through the camera's Multi Interface (MI) Shoe. A digital microphone like the ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit provide clear digital audio for all kinds of movie recording, enhancing the sound to match the image. Like other MI shoe accessories, no cables or batteries are required, providing unrestrained freedom for movie-making.
Expandable video creativity
External mic and headphone jacks help you customise your movie shooting process. The headphone jack supports high-quality headphones for accurate sound monitoring, and the audio output timing can be set to Live for optimum monitoring or Lip Sync to sync video and audio outputs together. You can connect a wide variety of external microphones to the mic input for great sound in varied environments.
Easy vlogging with a cable-free shooting grip
The compact and lightweight α7C is ideal for high-quality imaging during travel and vlogging. For easy one-handed shooting the GP-VPT2BT grip, via wireless Bluetooth® connection, puts key camera functions including zoom, record, and shutter controls in easy reach and even converts to a mini-tripod. Match it with the ECM-B1M microphone for a compact, cable-free vlogging system.
External flash control from the camera
Most settings, including light output, of an attached compatible flash or Wireless Radio Commander (both sold separately) can be controlled via a camera menu with changes showing on the flash display. With compatible flash units, a new auto white-balance function linked to the camera's face detection system achieves natural color tone for human faces by analyzing the light incident on the subject's face from both the flash and the surrounding environment.
Sharing to the world with Wi-Fi®
Wi-Fi® (2.4GHz or 5GHz) enables remote wireless shooting using Imaging Edge™ Desktop and Imaging Edge Mobile™ apps, for shooting creative angles, previewing, control, and transfer to PCs and mobile devices for distant selfies. After shooting, you can quickly save or share images around the world by pairing with a smartphone or tablet. FTP file transfer of still images is also possible, even during shooting.
Bright and easy LCD monitor
The side-opening, vari-angle LCD monitor is intuitive to use, rotating 176° horizontally and 270° vertically. The large touch-sensitive screen, with approximately 921 thousand dots, provides optimum visibility even in bright outdoor light. You can frame your shot or selfie from virtually any position and angle for both stills and movies. Touch Tracking, Touch Focus, and Touch Shutter are all supported.
For still-image photographers
A clear view of images in any environment is possible because the viewfinder is properly equipped despite the body's compact size. The 2.35 million-dot XGA OLED Tru-Finder™ electronic viewfinder achieves high contrast and faithful tonal reproduction for fine subject detail display. Smoother image with 120/100fps frame rate makes it easy to track moving subjects. To enhance the user experience, the grip hold and shape have been carefully designed, so that compactness and usability are both uncompromised.
Small and lightweight, yet robust and reliable
Magnesium alloy used for the top, front, and rear covers enhances body durability. For the α7C, camera parts and internal structures were carefully optimised to reduce size and weight. On the one hand, a monocoque structure patterned after airplane design helps to reduce weight while increasing the strength, realising a lightweight camera body with rigid flexibility. And on the other, the shape is supremely ergonomic and also weather sealed against dust and moisture for comfortable and confident shooting in a wide range of conditions.
Take more shots and shoot longer
Despite the compact body, the high-capacity NP-FZ100 battery provides power to capture up to an industry-leading2 740 images3 on a full charge when using the LCD monitor, or 6803 when using the viewfinder. This also allows up to 215 minutes4 of movie recording without a break, when using the LCD monitor. In addition, the USB Type-C® connector allows recharging from an AC adaptor or powerbank while continuing to shoot, for limitless shooting potential.
Imaging Edge
Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer" to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.
Imaging Edge Mobile & Movie Edit add-on
With built-in Wi-Fi® and the Imaging Edge Mobile apps on a mobile device, you can remotely operate the camera's shutter and movie recording start and stop. Images and 4K movies can also be wirelessly sent to a device for easy sharing. And, using Movie Edit add-on with your α7C, handheld movies can be automatically stabilised, for gimbal-like smooth motion, directly on your smartphone.
Capture One (for Sony)
Capture One Express (for Sony) is free award-winning image editing software that provides high-end image quality RAW development, easy management of your image files, and powerful editing tools. Capture One Pro (for Sony) is available for even more editing tools and tethered shooting capability.
Works with iMovie and Final Cut Pro X
This product is compatible with Final Cut Pro X and iMovie.| Lens | |
|---|---|
| Lens Mount | E-mount |
| Image Sensor | |
| Aspect Ratio | 3 : 2 |
| Number Of Pixels (Effective) | Approx. 24.2 megapixels |
| Number of Pixels (total) | Approx. 25.3 megapixels |
| Sensor Type | 35-mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor |
| Anti-Dust System | Yes (charge protection coating on optical filter, and image sensor shift mechanism) |
| Recording (still images) | |
| IMAGE SIZE (PIXELS) [4:3] | 35-mm full frame L: 5328 x 4000 (21 M), M: 3488 x 2624 (9.2 M), S: 2656 x 2000 (5.3 M), APS-C L: 3488 x 2624 (9.2 M), M: 2656 x 2000 (5.3 M), S: 1744 x 1312 (2.3 M) |
| Image Size (pixels) [16:9] | 35-mm full frame L: 6000 x 3376 (20 M), M: 3936 x 2216 (8.7 M), S: 3008 x 1688 (5.1 M), APS-C L: 3936 x 2216 (8.7 M), M: 3008 x 1688 (5.1 M), S: 1968 x 1112 (2.2 M) |
| IMAGE SIZE (PIXELS) [1:1] | 35-mm full frame L: 4000 x 4000 (16 M), M: 2624 x 2624 (6.9 M), S: 2000 x 2000 (4.0 M), APS-C L: 2624 x 2624 (6.9 M), M: 2000 x 2000 (4.0 M), S: 1312 x 1312 (1.7 M) |
| 14bit RAW | Yes |
| Picture Effect | Eight types: Toy Camera (Normal/Cool/Warm/Green/Magenta), Pop Color, Posterization (Color, B/W), Retro Photo, Soft High-key, Partial Color (R/G/B/Y), High-Contrast Monochrome, Rich-tone Monochrome |
| Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6) |
| Picture Profile | Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| CREATIVE LOOK | - |
| Dynamic Range Functions | Off, Dynamic Range Optimizer, Auto High Dynamic Range |
| Color Space | sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINoS Color |
| Recording system (Still Image) | |
| Recording Format | JPEG (DCF Ver. 2.0, Exif Ver.2.32, MPF Baseline compliant), RAW (Sony ARW 2.3 format) |
| Image Size (pixels) [3:2] | 35-mm full frame L: 6000 x 4000 (24 M), M: 3936 x 2624 (10 M), S: 3008 x 2000 (6.0 M), APS-C L: 3936 x 2624 (10 M), M: 3008 x 2000 (6.0 M), S: 1968 x 1312 (2.6 M) |
| Image Quality Modes | RAW (Compressed/Uncompressed), JPEG (Extra fine/Fine/Standard), RAW & JPEG |
| Recording (movie) | |
| Recording Format | XAVC S |
| Color Space | xvYCC standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINoS Color |
| Picture Effect | Seven types: Toy Camera (Normal/Cool/Warm/Green/Magenta), Pop Color, Posterization (Color, B/W), Retro Photo, Soft High-key, Partial Color (R/G/B/Y), High-Contrast Monochrome |
| Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6) |
| Picture Profile | Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| CREATIVE LOOK | - |
| MOVIE RECORDING SYSTEM (XAVC S 4K) | 3840 x 2160 (4:2:0, 8 bit, NTSC) (Approx.) 30p (100 Mbps/60 Mbps), 3840 x 2160 (4:2:0, 8 bit, NTSC) (Approx.) 24p (100 Mbps/60 Mbps), 3840 x 2160 (4:2:0, 8 bit, PAL) (Approx.) 25p (100 Mbps/60 Mbps) |
| MOVIE RECORDING SYSTEM (XAVC S HD) | 1920 x 1080 (4:2:0, 8 bit, NTSC) (Approx.) 120p (100 Mbps/60 Mbps), 1920 x 1080 (4:2:0, 8 bit, NTSC) (Approx.) 60p (50 Mbps/25 Mbps), 1920 x 1080 (4:2:0, 8 bit, NTSC) (Approx.) 30p (50 Mbps/16 Mbps), 1920 x 1080 (4:2:0, 8 bit, NTSC) (Approx.) 24p (50 Mbps), 1920 x 1080 (4:2:0, 8 bit, PAL) (Approx.) 100p (100 Mbps/60 Mbps), 1920 x 1080 (4:2:0, 8 bit, PAL) (Approx.) 50p (50 Mbps/25 Mbps), 1920 x 1080 (4:2:0, 8 bit, PAL) (Approx.) 25p (50 Mbps/16 Mbps) |
| Slow & quick motion (shooting frame rate) | NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps,PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps |
| Movie Functions | Audio Level Display, Audio Rec Level, PAL/NTSC Selector, TC/UB, Auto Slow Shutter, Gamma Disp. Assist |
| Recording System (movie) | |
| VIDEO COMPRESSION | XAVC S: MPEG-4 AVC/H.264 |
| AUDIO RECORDING FORMAT | XAVC S: LPCM 2ch |
| Recording System | |
| Location information Link from smartphone | Yes |
| Media | SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant) |
| Memory Card Slot | Slot for SD (UHS-I/II compliant) memory card |
| Recording mode on 2 memory cards | - |
| Noise Reduction | |
| Noise Reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal/Low/Off |
| White Balance | |
| White Balance Modes | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom |
| SHUTTER AWB LOCK | Yes (Shut. Halfway Down / Cont. Shooting / Off) |
| Focus | |
| Focus Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| Focus Sensor | Exmor R® CMOS sensor |
| Focus Point | 35 mm full frame: 693 points (phase-detection AF), APS-C mode with FF lens: 299 points (phase-detection AF), with APS-C lens: 221 points (phase-detection AF) / 425 points (contrast-detection AF) |
| Focus Sensitivity Range | EV-4 to EV20 (ISO 100 equivalent with F2.0 lens attached) |
| Focus Mode | AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
| Focus Area | Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking |
| EYE AF / SUBJECT RECOGNITION AF | [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select) / Animal |
| Other Features | Eye-start AF (only with LA-EA2 or LA-EA4 attached (Sold separately)), AF micro adjustment (with LA-EA2 or LA-EA4 (Sold separately)), Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point |
| AF Illuminator | Yes (with built-in LED type) |
| AF Illuminator range | Approx. 0.98 ft – approx. 0.98 ft (with FE 28-70 mm F3.5–5.6 OSS lens attached) |
| Focus type with LA-EA3 (Sold separately) | Phase-detection |
| Exposure | |
| Metering Sensor | Exmor R® CMOS sensor |
| Metering Sensitivity | EV-3 to EV 20 (ISO 100 equivalent with F2.0 lens attached) |
| Metering Mode | Multi-segment, Center-weighted, Spot (Standard/Large), Entire Screen Avg., Highlight |
| Exposure Compensation | +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV [1/3 EV steps]) |
| Exposure Bracketing | Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light) |
| AE Lock | Locked when shutter button is pressed halfway. (On/Off/Auto) |
| Exposure Modes | AUTO (iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)) |
| ISO Sensitivity | Still images: ISO 100–51200 (ISO numbers up from ISO 50 to ISO 204800 can be set as expanded ISO range.), AUTO (ISO 100–12800, selectable lower limit and upper limit), Movies: ISO 100–51200 equivalent (ISO numbers up ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100–12800, selectable lower limit and upper limit) |
| Anti-Flicker Shoot. | Yes |
| Scene Selection | - |
| Metering Type | 1200-zone evaluative metering |
| Viewfinder | |
| Viewfinder Type | 0.39-inch (1.0 cm) type electronic viewfinder (XGA OLED) |
| Number of Dots | 2,359,296 dots |
| Field Coverage | 100% |
| Magnification | Approx. 0.59x (with 50-mm lens at infinity, –1 m-1) |
| Diopter Adjustment | -4.0 to +3.0 m-1 |
| Eye Point | Approx. 0.79 inches from the eyepiece lens, 0.69 inches from the eyepiece frame at –1 m-1 (CIPA standard) |
| DISPLAY FUNCTION | Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, For viewfinder, Monitor Off |
| Finder Frame Rate Selection | NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps |
| LCD Screen | |
| Monitor Type | 2.95 inch (3.0-type) wide type TFT |
| Touch Panel | Yes (Touch shutter/Touch focus/Touch pad/Touch tracking) |
| Number of Dots | 921,600 dots |
| Brightness Control | Manual (5 steps between -2 and +2), Sunny Weather mode |
| Adjustable Angle | Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg. |
| Focus Magnifier | Yes, Focus Magnifier (35-mm full frame: 5.9x / 11.7x, APS-C: 3.8x / 7.7x) |
| Other Features | |
| PlayMemories Camera Apps™ | - |
| Clear Image Zoom | Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD) |
| Digital Zoom | Smart zoom (Still images): 35-mm full frame: M: approx. 1.5x, S: approx. 2x / APS-C: M: approx. 1.3x, S: approx. 2x, Digital zoom (Still images): 35-mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x / APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x, Digital zoom (Movie): 35-mm full frame: approx. 4x, APS-C: approx. 4x |
| Face Detection | Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority |
| Self-Portrait Self-Timer | - |
| Others | Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Help guide, Video Light Mode, Zoom Ring Rotate |
| Shutter | |
| TYPE | Electronically controlled, vertical-traverse, focal-plane type |
| Shutter Type | Mechanical shutter/Electronic shutter |
| Shutter Speed | Still images: Mechanical Shutter: 1/4000 to 30 s, Bulb, Electronic Shutter: 1/8000 to 30 s, Movies (NTSC mode): 1/4000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), Movies (PAL mode): 1/4000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode) |
| Flash Sync. Speed | 1/160 sec.5 |
| Electronic Front Curtain Shutter | Yes |
| Silent Shooting | Yes (ON/OFF) |
| Flash Control | |
| TYPE | - |
| Guide No. | - |
| Flash coverage | - |
| Control | Pre-flash TTL[[F_DI0181]] |
| Flash Compensation | +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps) |
| Flash Modes | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless6, Hi-speed sync.6 |
| Recycling Time | - |
| External Flash Compatibility | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe |
| FE Level Lock | Yes |
| Wireless Control | Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.) |
| Image Stabilization | |
| TYPE | Image Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications) |
| Compensation Effect | Five stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50-mm F1.4 ZA lens mounted. Long exposure NR off.) |
| Drive | |
| Drive Modes | Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
| Continuous Drive Speed (approx. max.) | Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps7 |
| No. of recordable frames (approx.) | JPEG Extra fine L: over 215 frames7, JPEG Fine L: over 223 frames7, JPEG Standard L: over 223 frames7, RAW: over 115 frames7, RAW & JPEG: over 86 frames7, RAW (Uncompressed): over 45 frames7, RAW (Uncompressed) & JPEG: over 39 frames7 |
| Self-Timer | 10-sec. delay / 5-s delay / 2-s delay / Continuous self-time / Bracketing self-timer |
| Pixel Shift Multi Shooting | - |
| Playback | |
| Photo Capture | Yes |
| Modes | Single (with or without shooting information Y RGB histogram & highlight/shadow warning), Index view, Enlarged display mode (L: 18.8x, M: 12.3x, S: 9.4x), Auto Review, Image orientation, Slideshow, Folder selection (Date / Still / XAVC S HD / XAVC S 4K), Protect, Rating, Display as Group |
| Compatible Standards | Exif Print, Print Image Matching III, DPOF setting |
| Custom Function | |
| Type | Custom key settings, Programmable Setting (Body three sets /memory card four sets), My Dial Settings, My Menu, Reg Cust Shoot Set |
| Lens Compensation | |
| Setting | Peripheral Shading, Chromatic Aberration, Distortion |
| Interface | |
| PC Interface | Mass-storage / MTP |
| Multi/Micro USB Terminal | USB Type-C® SuperSpeed USB 5 Gbps (USB 3.2) compatible |
| Sync terminal | - |
| Bluetooth® | Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band)) |
| Multi Interface Shoe | Yes (with Digital Audio Interface)8 |
| Vertical Grip Connector | - |
| Mic Terminal | Yes (3.5 mm Stereo minijack) |
| Headphone Terminal | Yes (3.5 mm Stereo minijack) |
| LAN Terminal | - |
| FUNCTIONS | FTP Transfer Func. (Wi-Fi), View on Smartphone, Remote control via Smartphone, NFC One-touch remote, NFC One-touch sharing, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD |
| Audio | |
| Microphone | Built-in, stereo |
| Speaker | Built-in, monaural |
| Power | |
| Supplied Battery | One rechargeable battery pack NP-FZ100 |
| Battery Life (Still Images) | Approx. 680 shots (Viewfinder) / approx. 740 shots (LCD monitor) (CIPA standard)9 |
| Battery Life (Movie, actual recording) | Approx. 140 min. (Viewfinder) / Approx. 140 min. (LCD monitor) (CIPA standard) |
| Battery Life (Movie, continuous recording) | Approx. 220 min. (Viewfinder) / Approx. 215 min. (LCD monitor) (CIPA standard) |
| Internal Battery Charge | Yes |
| Power consumption with Viewfinder | Still images: approx. 2.9 W (with FE 28–60-mm F4–5.6 OSS lens attached), Movies: approx. 4.5 W (with FE 28–60-mm F4–5.6 OSS lens attached) |
| Power consumption with LCD screen | Still images: approx. 2.7 W (with FE 28–60-mm F4–5.6 OSS lens attached), Movies: approx. 4.6 W (with FE 28–60-mm F4–5.6 OSS lens attached) |
| USB Power Supply | Yes |
| Others | |
| Operating Temperature | 32 - 104 degrees F / 0 - 40 degrees C |
| Size & Weight | |
| Weight (with battery and memory card included) | Approx. 1 lb 2.0 oz / Approx. 509 g (Body Only: Approx. 0 lb 15.0 oz / Approx. 424 g) |
| Dimensions (W x H x D) | 4.88 x 2.80 x 2.35 inches, 4.88 x 2.80 x 2.11 inches (FROM GRIP TO MONITOR) / 124.0 mm x 71.1 mm x 59.7 mm, 124.0 mm x 71.1 mm x 53.5 mm (FROM GRIP TO MONITOR) |
Product Information provided by the Manufacturer
Alpha 7C Compact full-frame camera
The α7C is the smallest and lightest1 full-frame digital interchangeable-lens camera with optical in-body image stabilization. Breakthroughs in mechanical packaging and structural design have brought no-compromise full-frame camera performance to a new size and weight class that's made for powerfully simple still and movie content creation.
The world's smallest and lightest full-frame system
Introducing the smallest and lightest full-frame digital interchangeable-lens system with optical in-body image stabilisation (with FE 28-60mm F4-5.6 lens). Without compromising the performance of a full-frame camera, the component layout, body structure and internal mechanisms are all thoroughly reimagined. Operability and toughness have been optimised within a body that is approximately 19 smaller in volume and 22 lighter than the α7 III, at only 509 grams.
Expressiveness only possible with a full-frame sensor
A 35-mm full-frame image sensor is about 30x larger than a 1/2.3-type smartphone sensor and even 2.3x larger than an APS-C sensor. By capturing significantly more light, it opens up new creative possibilities through wider dynamic range, less noise, and higher perceived resolution. Deep bokeh, using shallow depth of field, is also possible in combination with a bright (wide-aperture) full-frame lens.[1]Full-size [2]APS-C [3]Micro four thirds [4]1-inch [5]1/2.3~1/3.4 inch.
Faithfully capture what you see
The back-illuminated Exmor R™ CMOS sensor and BIONZ X™ image processing engine work together beautifully. The extra-large pixels of a 24.2-megapixel full-frame sensor collect more light, for a 15-stop wide dynamic range and smoother gradations from shadows to highlights. Excellent subjective resolution and reduced noise pair with precise colour reproduction for beautifully accurate skin tones and natural textures.
Stunning bokeh, enabled by a full-frame sensor
Bokeh is selective focus with a blurred background that makes the subject stand out. Portraits or close ups are enhanced with new meaning and depth. The α7C, with its full-frame sensor, can achieve bokeh when a smaller sensor-size camera with the same f-stop lens might not. When paired with over 50 lenses available from Sony, the α7C becomes an excellent choice for creative photographic composition and movie creation.
Impressive low-light images
With its large pixel size, in dimly lit situations or at high shutter speeds, the camera takes beautiful pictures with low noise, even when in the high sensitivity range. Standard ISO is from 100 up to ISO 51200 (expandable from ISO 50 to ISO 204800). Noise reduction is designed to be particularly effective in the common mid-sensitivity range to faithfully reveal textures and detail in shadows.
Express yourself with E-mount lenses
Over 50 Sony E-mount lenses enables broad creative expression, and a full-frame sensor allows you to leverage the full capabilities of Sony lenses. From wide angles, to enhanced creative compression effects on telephoto lenses, with the full-frame α7C the possibilities are endless.
The engine that powers your images
The BIONZ X image processing engine reflects Sony's expertise in imaging technologies. It processes images with the front-end LSI in 16-bits and outputs 14-bit RAW data for richer, more natural gradations, even in silent or continuous shooting modes. Combined with the Sony sensor, it delivers excellent colour reproduction, noise reduction, and low-light performance.
Shoot sharp images without hand shake
5-axis image stabilisation lets you zoom, get close-ups and capture night scenes with greater clarity. Compensation is equivalent to a 5.0-step faster shutter speed. [1] Pitch [2] Yaw: for long focal lengths, [3] Horizontal [4] Vertical: for sideways/up-down during close-ups and macros, [5] Roll: for rotation during long exposures.
Stay focused anytime, anywhere Stay focused anytime, anywhere Stay focused anytime, anywhere Stay focused anytime, anywhere
Autofocus is improved by optimally applying the advancements of the α9, including the unique 4D FOCUS for wide-area, ultra-fast and steadfast tracking over time. With 693 phase-detection and 425 contrast-detection AF points, the sensor provides wide and high-density AF covering approx. 93% of the image.
Continuous focus on active subjects
When you're tracking a fast-moving subject, the camera can utilise built-in AI-based Real-time Tracking. This subject recognition algorithm draws on colour, pattern (brightness), subject distance (depth), and face/eye information to recognise and hold onto your subject.
Capture the eyes to capture the shot
Real-time Eye AF highlights Sony's Speed x AI technology. For both stills and movies, when a face is partially hidden, looking down, or even backlit, focus stays on the subject's eye for reliably impressive portraits. It supports all AF modes, and when [Face/Eye Priority in AF] is set to ON, it's activated three ways: custom key, half-pressing the shutter, or AF-ON button.
Capture focus with animal eyes, too
With cutting-edge algorithms, the α7C supports Real-time Eye AF with animal eyes. Focus on the eye instead of the nose or whiskers will greatly increase your success in capturing images of animals, from favourite pets at home to unpredictable wildlife. Tracking continues even if the subject is partially obscured or if your camera orientation changes.
Activate Real-time Tracking anytime, with AF-ON button
When the focus mode is AF-S, AF-A, AF-C, or DMF, Real-time Tracking can now be activated by the AF-ON button. This is a convenient way to capture moving subjects in snap shots even with the focus mode set to AF-S. Being able to initiate Real-time Tracking simply with a thumb press anytime under AF modes expands your shooting possibilities.
Intuitive touch operation and display
When using Real-time Tracking, etc., touching the LCD monitor can initiate autofocus for both stills and movies. Touching the LCD monitor under selected settings such as this allows for intuitive AF operation. When not using AF, focus can be checked with a quick glance at the LCD monitor. In DMF or manual focus (MF) modes, it brings up a peaking function that color-highlights the area of sharpest focus to adjust the focus point. Choose from four peaking colors for best visibility or contrast. This is especially effective when delicate focusing is required, like when shooting with a macro lens.
Don't miss the best shot of a moving subject
The α7C is capable of continuous shooting at up to 10 fps with AF/AE tracking, and up to 8 fps in live-view mode to keep focus on a moving subject and capture precise moments. When combined with silent shooting at up to 10 fps, it becomes possible to photograph in sound-sensitive environments, or capture active babies or pets without shutter sounds disturbing them.
Autofocus that works when it is getting dark
Advanced algorithms contribute to high autofocus and distance measurement precision even at light levels as low as EV-4 in the AF-S mode, allowing for shots with precise AF even when scenes are dark.
Take 4K movies to a higher level
Enjoy shooting movies with the depth of field control, beautiful bokeh, and the clean low-light scenes only possible with a full-frame sensor. The α7C shoots 4K (QFHD: 840×2160) using full-pixel readout and 6K oversampling, for exceptional detail with minimal moiré and jaggies.
Movie-making profiles for expressive creativity
With S-Log3 gamma profiles you can capture the full dynamic range of a scene, with up to 14-stops giving you access to fine details and gradations in both shadows and highlights during post-production. Alternatively, the HLG (Hybrid Log-Gamma) mode allows for direct HDR movie playback and workflows. In addition, the α7C has various Picture Profile settings to expand your possibilities for movie making.
In-camera high-speed, slow-motion effects
It's easy to create movies in-camera at frame rates from 1 to 120/100 fps for up to 60x quick motion and 5x slow motion in Full HD resolution. Turn everyday motion into extraordinary artistic moments with ease, to add drama and excitement to your movies.
Designed for movie-making
The MOVIE button has been moved to the top panel to improve access when shooting from different angles, including from waist-level and for selfie or vlogging shots. Also, the α7C codes vertical orientation in metadata so after uploading to social media via a smartphone, the newly popular vertical movie format plays back correctly, eliminating the need for post editing on a PC.
Clear digital audio recording
The α7C supports a digital audio interface through the camera's Multi Interface (MI) Shoe. A digital microphone like the ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit provide clear digital audio for all kinds of movie recording, enhancing the sound to match the image. Like other MI shoe accessories, no cables or batteries are required, providing unrestrained freedom for movie-making.
Expandable video creativity
External mic and headphone jacks help you customise your movie shooting process. The headphone jack supports high-quality headphones for accurate sound monitoring, and the audio output timing can be set to Live for optimum monitoring or Lip Sync to sync video and audio outputs together. You can connect a wide variety of external microphones to the mic input for great sound in varied environments.
Easy vlogging with a cable-free shooting grip
The compact and lightweight α7C is ideal for high-quality imaging during travel and vlogging. For easy one-handed shooting the GP-VPT2BT grip, via wireless Bluetooth® connection, puts key camera functions including zoom, record, and shutter controls in easy reach and even converts to a mini-tripod. Match it with the ECM-B1M microphone for a compact, cable-free vlogging system.
External flash control from the camera
Most settings, including light output, of an attached compatible flash or Wireless Radio Commander (both sold separately) can be controlled via a camera menu with changes showing on the flash display. With compatible flash units, a new auto white-balance function linked to the camera's face detection system achieves natural color tone for human faces by analyzing the light incident on the subject's face from both the flash and the surrounding environment.
Sharing to the world with Wi-Fi®
Wi-Fi® (2.4GHz or 5GHz) enables remote wireless shooting using Imaging Edge™ Desktop and Imaging Edge Mobile™ apps, for shooting creative angles, previewing, control, and transfer to PCs and mobile devices for distant selfies. After shooting, you can quickly save or share images around the world by pairing with a smartphone or tablet. FTP file transfer of still images is also possible, even during shooting.
Bright and easy LCD monitor
The side-opening, vari-angle LCD monitor is intuitive to use, rotating 176° horizontally and 270° vertically. The large touch-sensitive screen, with approximately 921 thousand dots, provides optimum visibility even in bright outdoor light. You can frame your shot or selfie from virtually any position and angle for both stills and movies. Touch Tracking, Touch Focus, and Touch Shutter are all supported.
For still-image photographers
A clear view of images in any environment is possible because the viewfinder is properly equipped despite the body's compact size. The 2.35 million-dot XGA OLED Tru-Finder™ electronic viewfinder achieves high contrast and faithful tonal reproduction for fine subject detail display. Smoother image with 120/100fps frame rate makes it easy to track moving subjects. To enhance the user experience, the grip hold and shape have been carefully designed, so that compactness and usability are both uncompromised.
Small and lightweight, yet robust and reliable
Magnesium alloy used for the top, front, and rear covers enhances body durability. For the α7C, camera parts and internal structures were carefully optimised to reduce size and weight. On the one hand, a monocoque structure patterned after airplane design helps to reduce weight while increasing the strength, realising a lightweight camera body with rigid flexibility. And on the other, the shape is supremely ergonomic and also weather sealed against dust and moisture for comfortable and confident shooting in a wide range of conditions.
Take more shots and shoot longer
Despite the compact body, the high-capacity NP-FZ100 battery provides power to capture up to an industry-leading2 740 images3 on a full charge when using the LCD monitor, or 6803 when using the viewfinder. This also allows up to 215 minutes4 of movie recording without a break, when using the LCD monitor. In addition, the USB Type-C® connector allows recharging from an AC adaptor or powerbank while continuing to shoot, for limitless shooting potential.
Imaging Edge
Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer" to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.
Imaging Edge Mobile & Movie Edit add-on
With built-in Wi-Fi® and the Imaging Edge Mobile apps on a mobile device, you can remotely operate the camera's shutter and movie recording start and stop. Images and 4K movies can also be wirelessly sent to a device for easy sharing. And, using Movie Edit add-on with your α7C, handheld movies can be automatically stabilised, for gimbal-like smooth motion, directly on your smartphone.
Capture One (for Sony)
Capture One Express (for Sony) is free award-winning image editing software that provides high-end image quality RAW development, easy management of your image files, and powerful editing tools. Capture One Pro (for Sony) is available for even more editing tools and tethered shooting capability.
Works with iMovie and Final Cut Pro X
This product is compatible with Final Cut Pro X and iMovie.Great First Camera for Serious Hobbyist.
MilesWandered, Huntsville, AL:
I bought this camera 6 months ago, and I'm very happy that I did! If you are torn between a Full Frame vs APC-S, and you are certain that you love photography/videography -> Just go with the Full Frame! Or else you'll have serious FOMO from not buying the full frame.
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Ordered a lens on Friday. Item was delivered to me on Monday. Arrived in excellent condition in perfect working order. Not only did I pay a very reasonable price, but the shipping was free ! I will definitely do business with Pixel Connection again should the need arise !
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March 20, 2025 by Erik M. (Ohio, US)
“Quick and easy and with the option for in-store pickup.”
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“I have pre-ordered two cameras with Pixel Connection and both times have been wonderful experiences. Staff have been kind and helpful both times. They provided updates weekly and even provided me an option to purchase a different color camera when it became available before my pre-ordered color. They were also prompt with their shipping once payment was completed!”
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