Short description
Quick Overview
- 26.1MP APS-C BSI CMOS Sensor
- UHD 4K up to 120p
- Compact Form Designed for Cage-Free Use
- 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
- S-Cinetone/S-Log3/HLG, 14+ Stops DR
- Phase Detection AF/Face Tracking/Eye AF
- Standard ISO 100-32000 | Dual Base ISO
- Dual CFexpress Type A/SDXC Card Slots
- User LUTs & Timecode Sync Support
-
Detachable XLR Handle Unit with 2 Inputs
Product Description
Leveraging the power of a newly-developed APS-C sensor, the Sony FX30 provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.
Cinematic Expression
26MP APS-C/Super 35mm Exmor R BSI CMOS Sensor
The FX30's advanced imaging system is on par with other options in Sony's Cinema Line-capturing detailed 10-bit UHD 4K imagery at up to 120 fps-giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.
- High-sensitivity recording at up to ISO 32000 and Dual Base ISO (800/2500).
- When using S-Log3, the FX30 can capture 14+ stops of dynamic range.
- Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.
- Full pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.
- High-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.
- The HDMI output supports 16-bit raw video to select, separately available recorders.
Professional Picture Control
Filmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:
- S-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight rolloff.
- Picture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.
- Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.
- Up to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.
Operation for All Levels
Professional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:
- Flexible ISO uses standard ISO settings for simple operation and the greatest flexibility.
Cine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.
Cine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.
Intuitive Operation and Controls
Fast Hybrid AF
Enjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points spread across 90% of the image sensor.
- Real-time Eye AF and Real-time Tracking will track the eyes of humans and animals.
- AF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.
- Focus Map makes it easier to visualize the region of focus in your scene
5-Axis In-Body Image Stabilization
Sony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off which can be used in post to create a stable shot.
Comprehensive Feature Set
Plenty of Sony's cinema features have found their way into the FX30:
- Breathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.
- Timecode sync input with optional VMC-BNCM1 Timecode Adapter Cable
- Tally lights for easy indication that camera is recording.
Catalyst Browse and Prepare Integration
The FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.
Metadata recorded includes:
- Embedded LUT and Exposure Index (EI) data.
- Gyro and lens stabilization metadata to further reduce camera shake.
- Breathing compensation can be manually controlled and adjusted.
- Camera rotation metadata will ensure the footage is displayed as intended.
- Shot marks can be added to clips during or after recording for reference
Ergonomic Form for Solo Operation
Lightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.
The body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.
- Lightweight body weighs just 1.2 lb.
- Dedicated zoom rocker.
- Fully customizable button layout.
- Five 1/4"-20 threaded mounting points for accessories.
- Multi Interface Shoe supports advanced accessories.
- Active cooling fan permits uninterrupted shooting during extended takes.
- Sporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.
A Plethora of Connectivity Options
The FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:
- Full-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.
- Audio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.
- USB-C connection can be used for high-speed data transfer or for powering the camera.
- Multi-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.
- Timecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.
- Multi Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.
Media Options
For recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.
Updated Menu System
The FX30 benefits from a tweaked control menu that makes it more intuitive to operate:
- The main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.
- The shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.
| In The Box | Sony FX30 Digital Cinema Camera Sony XLR-H1 XLR Handle Unit Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) Sony BC-QZ1 Battery Charger Sony Multi Interface Shoe Cap Sony ALC-B1EM Body Cap for E-Mount Cameras USB Cable Limited 1-Year Warranty |
|---|---|
| MFG Part# | ILME-FX30 |
| Condition | New |
Memorable imagery from the Exmor R™ CMOS sensor
The FX30's back-illuminated Exmor R APS-C CMOS sensor is ready to deliver memorable imagery with outstanding resolution and a shallow depth of field. Sony's industry-leading image technology is packed into a new Super 35 format (20.1 megapixel) sensor with wide latitude. Capture the scene in 4K resolution with expressive depth of field, stunning bokeh, and cinematic freedom.
S-Cinetone™ for a cinematic look without grading
The FX30 incorporates S-Cinetone, based on the color science behind the highly regarded color and skin tones of the FX9 and FX6. It delivers the natural mid-tones that are essential to healthy-looking skin, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading.
Recording formats for image quality and post-production
The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, enabling fuller and more natural gradations and providing greater editing freedom. Recording in XAVC HS format roughly doubles compression efficiency, allowing detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, for even better image quality and manageable file sizes.
Dual Base ISO for cleaner images in low light
The Dual Base ISO feature provides two Base ISO settings; one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximize the FX30's dynamic range when shooting in both bright or low-light conditions. What's more, a wide 14+ stops of latitude minimizes the risk of blown highlights or blocked shadows over a wide range of lighting conditions.
Log recording for smooth cinematic color grading
For full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when color grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality color reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.
New Log shooting modes for optimized image quality
Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick simplifies setup by automatically switching the camera's Base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709 has been added to the available LUT presets.
See an accurate preview of the final image with user LUTs
When recording with the S-Log3 gamma curve, the low-contrast image on the monitor can make it difficult to judge what the final image will look like. For a more accurate preview, the FX30 allows customizable LUTs to be applied to the LCD monitor preview and HDMI output, and also embedded in clips to facilitate post-production processing. In addition to the preset LUTs, up to 16 user LUTs can be imported into the camera via memory card.
Dependable, highly accurate autofocus
Sophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF, with intelligent tracking, uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (for humans, birds, and animals), while Real-time Tracking provides reliable tracking based on Sony's unique, AI-based subject recognition.
Sophisticated focus functions to handle any situation
The FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map makes it easy to visualize depth of field while shooting, and Breathing Compensation provides a stable angle of view when rack focusing by minimizing the field-of-view shift that can occur with some lenses.
Flexible motion with up to 4K / 120p recording
The FX30 provides 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery with autofocus provides new expressive capability, opening a whole new world of creative potential.
Active Mode image stabilization supports handheld movie shooting
Active Mode is an optical in-body 5-axis image stabilization mode that provides increased stabilization for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, while walking, and at 4K resolution.
Metadata to facilitate editing with Catalyst
Sony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilization, breathing, camera rotation, and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.Proxy recording for efficient editing workflow
Low-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.
Still image shooting function
Because the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.
Multi-thread body makes a cage unnecessary
Designed for mobility and efficiency, the body of the FX30 features five thread holes (1/4-20 UNC) for accessories, making a cage unnecessary. While providing ample capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting. The XLR handle unit provides three additional thread holes so that accessories and add-ons can be stably and securely attached.
New Main menu for quick access to frequently used items
The camera's new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.
Movie standby screen
The layout of the information and icon overlay that appears in standby mode has been optimized for movie recording so you can concentrate more fully on composition and framing. Only the most essential items are displayed in the black bands above and below the image area.
Tally lamps
Recording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode, a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.
Flexible, high-resolution touch-panel LCD monitor
The FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.
Vertical aspect markers
With the proliferation of smartphones and social media, creators are producing imagery with a variety of aspect ratios and orientations, with vertical orientation becoming more common. The FX30 offers a number of aspect markers that can be used to check framing while shooting in standard horizontal orientation. Aspect markers that are useful when shooting social media ads and vertical movies are included.
XLR connectors for high-quality external audio input
The XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.
Broad connectivity for a wide range of shooting needs
An HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C® , Multi/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.
16-bit RAW output via HDMI
For demanding post-production workflows, 16-bit RAW output is available over an HDMI connection to compatible external recorders. XAVC HS 4K, XAVC S 4K or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.Time code sync
The FX30 can be synchronized (TC-IN) to a second camera that has a time code output terminal by connecting the FX30's Multi/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.
Two CFexpress Type A compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bitrates. Dual slots enable either relay or simultaneous recording.Uninterrupted 4K 60p recording
For uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized the camera's airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.
Designed to resist dust and moisture
Dust- and moisture-resistance refinements have been implemented everywhere in the FX30. Sealing is provided throughout the body as well as on the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow, from inlet to exhaust, is completely isolated from the interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.
Sturdy magnesium alloy body
The camera's body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.
Imaging Edge Mobile™
Imaging Edge Mobile provides support for remote control from smartphones and tablets. It can also remotely control Touch Tracking and Touch Focus for convenient AF operation, and transfer captured still and movie files.Environmentally conscious without compromising performance
The Sony Group continues to accelerate our "Road to Zero" environmental plan, aiming to achieve zero environmental footprint by 2040. Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle. These include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.| General | |
|---|---|
| CAMERA TYPE | Interchangeable lens digital camera |
| LENS MOUNT | E-mount |
| Size & Weight | |
| WEIGHT (MAIN UNIT ONLY) (approx.) | 1 lb 6.8 oz (646 g) (with battery and memory card included), 1 lb 3.8 oz (562 g) (body only) |
| WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.) | 2 lb 1.5 oz (951 g) (with XLR Handle, battery, and memory card included) |
| DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.) | 5.11 x 3.06 x 3.33 inches (129.7 mm x 77.8 mm x 84.5 mm) (body without protrusions) |
| Power | |
| POWER CONSUMPTION | [Movie] Approx. 5.6 W (with E PZ 18–105 mm F4 OSS lens attached), [Still image] Approx. 3.5 W (with E PZ 18–105 mm F4 OSS lens attached) |
| BATTERY OPERATING TIME | Approx. 115 min (Actual recording, CIPA standard)1, Approx. 175 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard) |
| Operation | |
| OPERATING TEMPERATURE | 32 °F to 104 °F (0 °C to 40 °C) |
| STORAGE TEMPERATURE | –4 °F to +131 °F, –20 °C to +55 °C |
| Recording Format (Video) | |
| XAVC HS | [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC / H.265 |
| XAVC S | [XAVC S 4K] XAVC S 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, |
| XAVC S-I |
[XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I DCI 4K] XAVC S-I DCI 4K 59.94p 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 50p 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 29.97p 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 25p 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 23.98p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 24.00p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264 |
| Recording Format (Audio) | |
| RECORDING FORMAT (AUDIO) | LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)2, MPEG-4 AAC-LC 2ch2 |
| Recording Frame Rate | |
| XAVC HS | [XAVC HS 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 23.98p |
| XAVC S | [XAVC S 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p |
| XAVC S-I |
[XAVC S-I 4K] 3840 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I DCI 4K] 4096 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, 24.00p |
| Recording/ Playback Time | |
| XAVC HS | [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80 GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80 GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80 GB) Approx. 140 minutes |
| XAVC S | [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80 GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes |
| XAVC S-I | [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes |
| PROXY AUDIO |
[XAVC S-I DCI 4K] 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes XAVC Proxy: AAC-LC, 128 kbps, 2 channels |
| PROXY VIDEO | 1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps) |
| RAW Output | |
| RAW Output | HDMI: 4672 x 2628 (59.94p/50p/29.97p/25p/23.98p), 16 bit |
| Other Video Function | |
| VIDEO FUNCTIONS | Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector |
| Camera Section | |
| SENSOR TYPE | APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor |
| Pixels | Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total) |
| SENSITIVITY | [Movie] ISO 100–32000 equivalent, AUTO (ISO 100–6400, selectable lower limit and upper limit)3, [Still image] ISO 100–32000 (Expandable to ISO 50–102400), AUTO (ISO 100–6400, selectable lower limit and upper limit)3 |
| SHUTTER SPEED | [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), [Still image] 1/8000 to 30 s |
| Slow & Quick Motion | |
| XAVC HS | XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps4, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps4 |
| XAVC S | XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps4, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps4, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps5, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps5 |
| XAVC S-I | XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps4, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[NF_39], XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps5, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps5 |
| White Balance | |
| WHITE-BALANCE MODES | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2,500 to 9,900K) & color filter / Custom |
| Gamma | |
| GAMMA CURVE | Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| Latitude | |
| LATITUDE | 14+ stop (S-Log3) |
| Focus System | |
| Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| FOCUS POINT | [Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF) |
| SENSITIVITY RANGE | EV-3 to EV 20 (ISO 100 equivalent with F2.0 lens attached) |
| FOCUS MODE | [Movie] AF-C (Continuous AF), MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
| FOCUS AREA | [Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking |
| OTHER FOCUS FEATURES | Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x) |
| Exposure Control | |
| METERING SENSITIVITY | EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached) |
| EXPOSURE MODES | [Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) |
| Recording (Still image) | |
| RECORDING FORMAT | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) |
| IMAGE SIZE | Image size [3:2] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M) |
| Playback | |
| PLAYBACK FUNCTIONS | Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills) |
| Interface | |
| TC INPUT/TC OUTPUT | Multi/Micro USB, TC IN |
| AUDIO INPUT | 0.14 " Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference –40 to –60 dBu / [INPUT3] 0.14 " Stereo minijack) |
| USB | USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1) |
| HEADPHONE OUTPUT | Yes (3.5 mm Stereo minijack) |
| SPEAKER OUTPUT | Built-in, monaural |
| HDMI OUTPUT | HDMI jack (Type-A), YCbCr 4:2:2 10 bit / RGB 8 bit |
| MULTI INTERFACE SHOE | With Digital Audio Interface |
| Bluetooth® | Bluetooth Standard Ver. 5.0 (2.4 GHz band) |
| Media | |
| MEDIA TYPE | CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy |
| Monitoring | |
| LCD | 3.0-type (7.5 cm), Approx. 2.36M dots, touch panel, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg. |
| Built-in Microphone | |
| BUILT-IN MICROPHONE | Built-in, stereo |
| File System | |
| FILE SYSTEM | FAT12, 16, 32, exFAT |
| Zoom | |
| ZOOM FUNCTION | Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x), Digital zoom ([Movie] Approx. 4x [Still image] L: Approx 4x, M: Approx. 5.7x, S: Approx. 8x), Smart zoom ([Still image] M: Approx. 1.4x, S: Approx. 2x) |
| Still image function | |
| SHUTTER | Electronic shutter |
| DRIVE MODES | Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
| NOISE REDUCTION | High ISO NR: Normal / Low / Off |
| OTHER STILL IMAGE FUNCTION | Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot6 |
| Image Stabilization | |
| Type | Image Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications) |
| MODE | [Movie] Active / Standard / Off, [Still image] On / Off |
| COMPENSATION EFFECT (STILL IMAGES) | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted.) |
| Custom Function | |
| CUSTOM FUNCTION | Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set |
| Lens Compensation | |
| LENS COMPENSATION | Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie) |
| Wi-Fi/NFC | |
| SUPPORTED FORMAT | IEEE 802.11a/b/g/n/ac |
| FREQUENCY BAND | 2.4 GHz band/5 GHz bandwidth7 |
| SECURITY | WEP/WPA-PSK/WPA2-PSK |
| FTP Transfer | |
| FTP Transfer | Wired LAN (USB-LAN), USB Tethering, Wi-Fi |
| Supplied Accessories | |
| SUPPLIED ACCESSORIES | Rechargeable Battery NP-FZ100, AC adapter, XLR handle unit, Body cap, Accessory shoe cap, Handle shoe cap, USB-A to USB-C cable (USB 3.2) |
Product Information provided by the Manufacturer
FX30 compact Cinema Line gateway camera
The compact, very accessible FX30 brings up-and-coming visual storytellers into the world of Sony's highly acclaimed Cinema Line cameras. Drawing on cinematic color science with S-Cinetone™ and S-Log3 for grading, it produces stunning cinematic imagery while incorporating a full array of workflow-efficient features.
Memorable imagery from the Exmor R™ CMOS sensor
The FX30's back-illuminated Exmor R APS-C CMOS sensor is ready to deliver memorable imagery with outstanding resolution and a shallow depth of field. Sony's industry-leading image technology is packed into a new Super 35 format (20.1 megapixel) sensor with wide latitude. Capture the scene in 4K resolution with expressive depth of field, stunning bokeh, and cinematic freedom.
S-Cinetone™ for a cinematic look without grading
The FX30 incorporates S-Cinetone, based on the color science behind the highly regarded color and skin tones of the FX9 and FX6. It delivers the natural mid-tones that are essential to healthy-looking skin, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading.
Recording formats for image quality and post-production
The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, enabling fuller and more natural gradations and providing greater editing freedom. Recording in XAVC HS format roughly doubles compression efficiency, allowing detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, for even better image quality and manageable file sizes.
Dual Base ISO for cleaner images in low light
The Dual Base ISO feature provides two Base ISO settings; one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximize the FX30's dynamic range when shooting in both bright or low-light conditions. What's more, a wide 14+ stops of latitude minimizes the risk of blown highlights or blocked shadows over a wide range of lighting conditions.
Log recording for smooth cinematic color grading
For full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when color grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality color reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.
New Log shooting modes for optimized image quality
Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick simplifies setup by automatically switching the camera's Base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709 has been added to the available LUT presets.
See an accurate preview of the final image with user LUTs
When recording with the S-Log3 gamma curve, the low-contrast image on the monitor can make it difficult to judge what the final image will look like. For a more accurate preview, the FX30 allows customizable LUTs to be applied to the LCD monitor preview and HDMI output, and also embedded in clips to facilitate post-production processing. In addition to the preset LUTs, up to 16 user LUTs can be imported into the camera via memory card.
Dependable, highly accurate autofocus
Sophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF, with intelligent tracking, uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (for humans, birds, and animals), while Real-time Tracking provides reliable tracking based on Sony's unique, AI-based subject recognition.
Sophisticated focus functions to handle any situation
The FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map makes it easy to visualize depth of field while shooting, and Breathing Compensation provides a stable angle of view when rack focusing by minimizing the field-of-view shift that can occur with some lenses.
Flexible motion with up to 4K / 120p recording
The FX30 provides 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery with autofocus provides new expressive capability, opening a whole new world of creative potential.
Active Mode image stabilization supports handheld movie shooting
Active Mode is an optical in-body 5-axis image stabilization mode that provides increased stabilization for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, while walking, and at 4K resolution.
Metadata to facilitate editing with Catalyst
Sony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilization, breathing, camera rotation, and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.Proxy recording for efficient editing workflow
Low-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.
Still image shooting function
Because the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.
Multi-thread body makes a cage unnecessary
Designed for mobility and efficiency, the body of the FX30 features five thread holes (1/4-20 UNC) for accessories, making a cage unnecessary. While providing ample capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting. The XLR handle unit provides three additional thread holes so that accessories and add-ons can be stably and securely attached.
New Main menu for quick access to frequently used items
The camera's new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.
Movie standby screen
The layout of the information and icon overlay that appears in standby mode has been optimized for movie recording so you can concentrate more fully on composition and framing. Only the most essential items are displayed in the black bands above and below the image area.
Tally lamps
Recording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode, a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.
Flexible, high-resolution touch-panel LCD monitor
The FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.
Vertical aspect markers
With the proliferation of smartphones and social media, creators are producing imagery with a variety of aspect ratios and orientations, with vertical orientation becoming more common. The FX30 offers a number of aspect markers that can be used to check framing while shooting in standard horizontal orientation. Aspect markers that are useful when shooting social media ads and vertical movies are included.
XLR connectors for high-quality external audio input
The XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.
Broad connectivity for a wide range of shooting needs
An HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C® , Multi/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.
16-bit RAW output via HDMI
For demanding post-production workflows, 16-bit RAW output is available over an HDMI connection to compatible external recorders. XAVC HS 4K, XAVC S 4K or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.Time code sync
The FX30 can be synchronized (TC-IN) to a second camera that has a time code output terminal by connecting the FX30's Multi/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.
Two CFexpress Type A compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bitrates. Dual slots enable either relay or simultaneous recording.Uninterrupted 4K 60p recording
For uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized the camera's airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.
Designed to resist dust and moisture
Dust- and moisture-resistance refinements have been implemented everywhere in the FX30. Sealing is provided throughout the body as well as on the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow, from inlet to exhaust, is completely isolated from the interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.
Sturdy magnesium alloy body
The camera's body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.
Imaging Edge Mobile™
Imaging Edge Mobile provides support for remote control from smartphones and tablets. It can also remotely control Touch Tracking and Touch Focus for convenient AF operation, and transfer captured still and movie files.Environmentally conscious without compromising performance
The Sony Group continues to accelerate our "Road to Zero" environmental plan, aiming to achieve zero environmental footprint by 2040. Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle. These include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.Great for all my video needs. Wedding.
Arony1, Virginia:
I bought this camera 12 months ago ago coming a super nice a6500 where I learn all my video basic skills to this pro level camera when I really get to put all my skills together. I love this camera.
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