Sony ECM-M1 Compact Camera-Mount Digital Shotgun Microphone

SKU: SON-ECM-M1 MANUFACTURER PART: ECM-M1 UPC: 027242928664
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Price:
Sale price$348.00
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Short description

  • Content Creator, Podcaster, Videographer
  • For Sony Cameras with MI Shoe
  • Advanced Beamforming Technology
  • 8 Selectable Modes/Pickup Patterns
  • 2.8" Compact Design
  • Digital Audio Transmission to Camera

Quick Overview

  • Content Creator, Podcaster, Videographer
  • For Sony Cameras with MI Shoe
  • Advanced Beamforming Technology
  • 8 Selectable Modes/Pickup Patterns
  • 2.8" Compact Design
  • Digital Audio Transmission to Camera
  • Mechanical Noise Suppression
  • Low-Cut Filter and Noise-Cut Filter
  • 4-Channels for Safety Recordings
  • Cable-Free Operation

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Product Description

Featuring an even more compact form factor than its predecessors and four diamond-patterned capsules, the Sony ECM-M1 is a camera-mount digital shotgun microphone designed for creators using Sony cameras equipped with the Multi Interface Shoe needing to switch between interview shooting and social media content all in one device. Internal digital signal processing and advanced beamforming render clear recordings with the ability to toggle noise-cut and low-cut filters. Superdirectional pickup pattern with both front and rear pickup has eight selectable modes for the ultimate recording flexibility.
 
Eight Selectable Pickup Patterns and Recording Modes
Using an onboard dial control, choose between eight different recording modes, including stereo, to suit different recording scenarios. Because the embedded condensers are laid out in a diamond orientation, the ECM-M1 can isolate the left, right, rear, or front audio sources and record separate channels simultaneously. Selectable modes include superdirectional, unidirectional, omnidirectional, superdirectional (rear), superdirectional (front and rear), super directional (front and rear separate), stereo, and ultra-directional.
 
Superdirectional and Ultra-Directional: Focused Front Area
Ideal for vlogs or interviews where your subject in front of the camera is the main focus, the superdirectional pattern collects sound from a focused area in front of the microphone, effectively suppressing sounds from off-axis and behind the camera. Choose between front and rear superdirectional orientations. Ultra-directional compresses this area even further for a more limited pickup range.
 
Unidirectional: Wide Frontal Range
Perfect for multi-person conversations, the unidirectional pattern captures sound from a wide field in front of the microphone, while minimizing pickup from behind.
 
Omnidirectional: Sound from Any Direction
The omnidirectional pattern picks up audio equally from all directions, useful for recording environmental sounds or the voice of the camera operator.
 
Front and Rear Recording
Record from both the front and rear of the camera, a mode especially useful during interviews where you wish to capture the interviewer's voice or reactions. You can also pick up the front and rear audio in two separate channels for more intuitive adjustment during postproduction. This same technology allows you to record a stereo safety track automatically.
 
Noise Filters, Onboard Switch Control
Controls for pickup pattern and other functions are easy to reach on the rear panel and visible at a glance for quick adjustments during shooting. The ECM-M1's noise-cut filter and low-cut filter are very effective at reducing extraneous ambient noises and cutting out low-frequency noise through the use of digital signal processing algorithms, maximizing audio quality at the recording stage and reducing the need for complex post-processing.
 
Compact and Portable Mic
The microphone's 2.8" total length allows you to use it while wide-angle lenses, viewfinders, and gimbals where rig space is precious.
 
Cable-Free Connection, Vibration Suppressing Design
No cables are required for connection to a wide range of Sony cameras equipped with an MI shoe. The absence of connecting cables means that no noise can be transmitted to the microphone mechanically via cables and connectors. The ECM-M1 features an advanced shock- and vibration-suppressing design to effectively minimize low-frequency or handling noise, which can degrade audio quality.
 
Supplied Windscreen
The ECM-M1 comes with a furry windshield that's easily detachable and effective with reducing wind noise for capturing crisp audio on outdoor shoots.

 

In The Box Sony ECM-M1 Compact Camera-Mount Digital Shotgun Microphone
Furry Windscreen
Limited 1-Year Manufacturer Warranty
MFG Part# ECM-M1
Condition New

Super-directional

Sounds from the front are clearly captured, and ambient sounds suppressed. A great choice for shooting or streaming videos where the subject speaks directly in front of the microphone.

Unidirectional

Sounds from a wide region in front of the unit are captured. Uni-directional mode is a great choice for recording conferences and meetings.

Omnidirectional

Sounds from all directions are captured with equal sensitivity. Omni-directional mode captures sound like a typical built-in camera mic, but with enhanced clarity and sensitivity and is recommended for recording environmental or ambient sounds.

Super-directional (Rear)

Sounds from the rear of the unit are captured, while suppressing sound from the front. Super-directional (Rear) mode is ideal for narrating while shooting scenery.

Super-directional (Front + Rear)

Sounds from the front and rear of the unit are captured with equal sensitivity, while sounds from the left and right are suppressed. Super-directional mode enables recording of sounds from the subject in front of the unit as well as the voice of the videographer, and ensures clear sound when recording interviews.

Super-directional (Front/Rear) separate

Sounds from the front (1ch) and rear (2ch) of the unit are captured with equal sensitivity, and onto separate audio channels, while sounds from the left and right are suppressed. Super-directional mode enables individual volume adjustment of the front and rear audio after video recording, so you can dial in the perfect balance of audio from in front and behind the camera in the edit.

Stereo

Realistic video recording is possible by clearly localizing the left (1ch) and right (2ch) sound sources. Stereo mode is perfect for shooting video of moving objects, such as racing cars and trains, or musical performances in theaters.

Ultra-directional2, 1

The microphone picks up the target sound from the front (within approximately 30-degree width) while effectively suppressing the other sound, by dynamically adapting to the ambient sound in the surroundings2. The Ultra-directional mode is a good choice for shooting scenes such as interviews or selfies where the subject is always in front of the microphone.1.

Intuitive directivity selector dial

A dial that allows easy, intuitive selection of pickup patterns is provided on the rear of the microphone. Simply align the dial pointer with the desired pickup pattern. A lock button in the center of the dial allows the dial to be locked to prevent accidental changes.

Direct digital audio transfer for high-quality sound

When mounted on a Multi Interface (MI) Shoe equipped with a digital audio interface, the audio signal is directly transmitted to the camera in the digital domain. No signal degradation occurs, so audio quality remains pristine.

Internal digital noise cut filter for clear recording

Distracting continuous background noise is effectively suppressed by a digital noise-cut filter for clear sound recording. A low-cut filter is also provided to reduce wind noise, the hum of air conditioning, and other low-frequency vibration. Suppressing noise at the recording stage reduces workload during post processing, enhancing overall efficiency.

Fur-type wind screen included

A fur-type wind screen is included. Wind noise can be reduced and sound can be captured even when shooting outdoors in windy conditions.

Effective mechanical noise suppression

The design dampens shock and vibration, for effective minimization of low-frequency vibration noise. The cable-less design also eliminates mechanical transmission of vibration noise to the microphone via cables.

Compact size for better portability

The impressively compact size (length 2.54"3) and light weight (2.29 oz3) give a high degree of shooting freedom and mobility. The microphone does not intrude when shooting selfies, or when using even a very wide-angle lens. The compact size also makes it easy to use with gimbals and grips.

Battery & cable-free operation

Multi Interface (MI) Shoe support allows battery- and cable-free shooting, allowing recording to start as soon as the microphone is attached. Power is supplied directly from the camera, so you can continue shooting without worrying about mic battery levels. And the camera's vari-angle LCD monitor can be used in any position, unobstructed by a microphone cable.

Four-channel recording supported

The ECM-M1 supports four channel recording on compatible cameras, with channels 3 and 4 able to make omnidirectional backup safety recordings. These channels can record safety tracks in omnidirectional mode (fixed for channel 3, and –20 dB4 fixed for channel 4) while the main audio is recorded to channels 1 and 2 using the selected directivity pattern.

Audio settings

Comprehensive, clearly marked controls make it easy to adjust and confirm all microphone settings at a glance for worry-free operation.

Dust and moisture resistant5 design

The ECM-M1 features a dust and moisture resistant5 design that allows reliable operation in challenging outdoor conditions.
Product Information provided by the Manufacturer

ECM-M1 shotgun microphone

The ECM-M1 is a highly compact shotgun microphone that uses beamforming1 and other digital processing technologies to provide eight dial-selectable audio recording modes for outstanding versatility and audio quality in a wide range of video shooting situations.
ECM-M1 shotgun microphone

Super-directional

Sounds from the front are clearly captured, and ambient sounds suppressed. A great choice for shooting or streaming videos where the subject speaks directly in front of the microphone.

Unidirectional

Sounds from a wide region in front of the unit are captured. Uni-directional mode is a great choice for recording conferences and meetings.

Omnidirectional

Sounds from all directions are captured with equal sensitivity. Omni-directional mode captures sound like a typical built-in camera mic, but with enhanced clarity and sensitivity and is recommended for recording environmental or ambient sounds.

Super-directional (Rear)

Sounds from the rear of the unit are captured, while suppressing sound from the front. Super-directional (Rear) mode is ideal for narrating while shooting scenery.

Super-directional (Front + Rear)

Sounds from the front and rear of the unit are captured with equal sensitivity, while sounds from the left and right are suppressed. Super-directional mode enables recording of sounds from the subject in front of the unit as well as the voice of the videographer, and ensures clear sound when recording interviews.

Super-directional (Front/Rear) separate

Sounds from the front (1ch) and rear (2ch) of the unit are captured with equal sensitivity, and onto separate audio channels, while sounds from the left and right are suppressed. Super-directional mode enables individual volume adjustment of the front and rear audio after video recording, so you can dial in the perfect balance of audio from in front and behind the camera in the edit.

Stereo

Realistic video recording is possible by clearly localizing the left (1ch) and right (2ch) sound sources. Stereo mode is perfect for shooting video of moving objects, such as racing cars and trains, or musical performances in theaters.

Ultra-directional2, 1

The microphone picks up the target sound from the front (within approximately 30-degree width) while effectively suppressing the other sound, by dynamically adapting to the ambient sound in the surroundings2. The Ultra-directional mode is a good choice for shooting scenes such as interviews or selfies where the subject is always in front of the microphone.1.

Intuitive directivity selector dial

A dial that allows easy, intuitive selection of pickup patterns is provided on the rear of the microphone. Simply align the dial pointer with the desired pickup pattern. A lock button in the center of the dial allows the dial to be locked to prevent accidental changes.

Direct digital audio transfer for high-quality sound

When mounted on a Multi Interface (MI) Shoe equipped with a digital audio interface, the audio signal is directly transmitted to the camera in the digital domain. No signal degradation occurs, so audio quality remains pristine.

Internal digital noise cut filter for clear recording

Distracting continuous background noise is effectively suppressed by a digital noise-cut filter for clear sound recording. A low-cut filter is also provided to reduce wind noise, the hum of air conditioning, and other low-frequency vibration. Suppressing noise at the recording stage reduces workload during post processing, enhancing overall efficiency.

Fur-type wind screen included

A fur-type wind screen is included. Wind noise can be reduced and sound can be captured even when shooting outdoors in windy conditions.

Effective mechanical noise suppression

The design dampens shock and vibration, for effective minimization of low-frequency vibration noise. The cable-less design also eliminates mechanical transmission of vibration noise to the microphone via cables.

Compact size for better portability

The impressively compact size (length 2.54"3) and light weight (2.29 oz3) give a high degree of shooting freedom and mobility. The microphone does not intrude when shooting selfies, or when using even a very wide-angle lens. The compact size also makes it easy to use with gimbals and grips.

Battery & cable-free operation

Multi Interface (MI) Shoe support allows battery- and cable-free shooting, allowing recording to start as soon as the microphone is attached. Power is supplied directly from the camera, so you can continue shooting without worrying about mic battery levels. And the camera's vari-angle LCD monitor can be used in any position, unobstructed by a microphone cable.

Four-channel recording supported

The ECM-M1 supports four channel recording on compatible cameras, with channels 3 and 4 able to make omnidirectional backup safety recordings. These channels can record safety tracks in omnidirectional mode (fixed for channel 3, and –20 dB4 fixed for channel 4) while the main audio is recorded to channels 1 and 2 using the selected directivity pattern.

Audio settings

Comprehensive, clearly marked controls make it easy to adjust and confirm all microphone settings at a glance for worry-free operation.

Dust and moisture resistant5 design

The ECM-M1 features a dust and moisture resistant5 design that allows reliable operation in challenging outdoor conditions.

Overall:

(17 reviews)

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