Short description
Quick Overview
- 24.2MP Full-Frame Exmor RS CMOS Sensor
- BIONZ X Image Processor & Front-End LSI
- 693-Point Phase-Detection AF System
- Up to 20 fps Shooting, ISO 100-204800
- UHD 4K30p Video, Real-Time Eye AF
- Blackout-Free Quad-VGA 3.7m-Dot OLED EVF
- 3.0" 1.44m-Dot Tilting Touchscreen LCD
- 5-Axis SteadyShot INSIDE Stabilization
- Dual UHS-II SD Card Slots, Voice Memos
- 5 GHz Wi-Fi, 1000BASE-T Ethernet
Product Description
The second generation of speed, the Sony Alpha a9 II takes the impressive feature-set of its predecessor and adds enhanced connectivity, a refined body design, and even quicker performance. Utilizing the proven 24.2MP full-frame Exmor RS BSI stacked CMOS sensor and an updated BIONZ X processor, the a9 II sports especially quick and responsive capabilities. Up to 20 fps shooting is possible with a silent electronic shutter or up to 10 fps with a mechanical shutter is supported, along with a wide sensitivity range that reaches up to an expanded ISO 204800. The sensor's design also incorporates a 693-point phase-detection autofocus system, which offers intelligent subject tracking and Real-time Eye AF to ensure critical focus on moving subjects. The BIONZ X also performs up to 60 AF/AE functions per second to go along with the 20 fps shooting for reliable results in quickly changing situations. In addition to stills, UHD 4K video recording is supported at up to 30 fps and Quick and Slow Motion recording is also available. Additionally, 5-axis SteadyShot INSIDE sensor-shift image stabilization is available, too, which minimizes the appearance of camera shake by up to 5.5 stops.Benefitting the imaging capabilities, the a9 II receives a dramatic update in its physical design, featuring a more ergonomic body shape, refined weather sealing, and improved connectivity. A 3.69m-dot OLED EVF provides a bright, clear eye-level viewing means and affords blackout-free viewing to support photographing at high continuous speeds. The rear 3.0" 1.44m-dot tilting LCD has a touchscreen design, too, for intuitive control over shooting settings and playback. Dual UHS-II SD memory card slots permit flexible file storage and the a9 II has been fitted with an improved 1000BASE-T Ethernet port for faster wired LAN sharing and remote camera operation. 5.0 GHz wireless sharing and Bluetooth are integrated, as well, for wireless sharing and remote camera control. Additionally, Voice Memos enables you to record up to 60-second sound clips with each photo, which can then be automatically converted to text, using the Transfer & Tagging app add-on, and then embedded into files' metadata.
24.2MP Exmor RS BSI Stacked CMOS Sensor and BIONZ X Image Processor
Built for speed, the a9 II utilizes a 24.2MP Exmor RS BSI stacked CMOS sensor, along with an updated BIONZ X image processor, that yields impressively quick and responsive performance. Up to 20 fps continuous shooting is possible using an electronic shutter or 10 fps shooting is supported with a mechanical shutter. The sensor's back-illuminated design also affords high sensitivity to an extended ISO 204800 with reduced noise for clean image quality in a variety of lighting conditions. Additionally, uncompressed raw files can be recorded in 14-bit for greater color fidelity and post-production flexibility.
The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with a wide dynamic range with smooth tonal rendering. Benefitting the fast recording capabilities is an equally quick AF/AE metering system that functions 60 times per second to continuously evaluate the scene in order to lock onto and track moving subjects. Automatic anti-flicker shooting also recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images. Additionally, due to the use of an electronic shutter, totally blackout-free monitoring is possible with the electronic viewfinder for more accurate compositions of moving subjects.
The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with a wide dynamic range with smooth tonal rendering. Benefitting the fast recording capabilities is an equally quick AF/AE metering system that functions 60 times per second to continuously evaluate the scene in order to lock onto and track moving subjects. Automatic anti-flicker shooting also recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images. Additionally, due to the use of an electronic shutter, totally blackout-free monitoring is possible with the electronic viewfinder for more accurate compositions of moving subjects.
Fast Hybrid AF System
Covering 93% of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -3 EV. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. Updated AF algorithms also benefit from maintaining critical focus on erratically or unpredictably moving subjects. Additionally, the use of phase-detection points enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility.
The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. The focus frame color is selectable, between white and red, and AF tracking is possible with apertures narrower than f/16 with select lenses when working in Focus Priority mode. Additionally, Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder. Additionally, when working in AF-C mode, the focus point can be moved while the shutter button is half-pressed, making it easier to quickly shift focus without losing sight of the action.
The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. The focus frame color is selectable, between white and red, and AF tracking is possible with apertures narrower than f/16 with select lenses when working in Focus Priority mode. Additionally, Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder. Additionally, when working in AF-C mode, the focus point can be moved while the shutter button is half-pressed, making it easier to quickly shift focus without losing sight of the action.
Body Design
- A Quad-VGA OLED Tru-Finder EVF is featured and has a 3.69m-dot resolution and 0.78x-magnification for bright, clear viewing in rich detail, and a dedicated High-Quality setting enables a 120 fps to refresh rate for especially smooth playback of moving subjects. Additionally, a fluorine coating has been applied to the outermost viewfinder element to benefit cleaning.
- In addition to the EVF, a 3.0" 1.44m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward and downward to benefit from working from high and low angles.
- Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
- Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
- Using the same NP-FZ100 battery as its predecessor, the a9 II's battery life is rated for approximately 500 shots per charge with the EVF or 690 shots with the rear LCD.
- Dual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
- A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
- Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
- Durable shutter design has been tested for 500,000 actuation.
- Updated Multi-Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provides improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
- The a9 II also features a 3.5mm microphone input jack for compatibility with external microphones.
- Compatible with optional VG-C4EM Vertical Grip.
Connectivity
- Built-in Wi-Fi enables the a9 II to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for a one-touch connection between the camera and compatible mobile devices; no complex setup is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
- Bluetooth connectivity allows for location data acquisition.
- Integrated Ethernet port has been upgraded to 1000BASE-T speed for quick wired LAN sharing and remote operation.
- When working over a wired LAN, the Remote Camera Tool 2.1 app now has been enhanced for a reduced release time lag and live view delays as well as support for remote SD card formatting, FTP server switching, and changes to the still image storage destination. Wired or wireless LAN transfers can also occur in the background while continuing to shoot.
- Imaging Edge Remote for desktop now supports the a9 II for PC Remote shooting via the Wi-Fi connection or tethered by the wired USB Type-C port. An updated data transfer control now makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.
- Transfer & Tagging add-on app can send FTP setting parameters from your mobile device to the camera, offers automatic data upload to an FTP server with attached metadata, and can perform the automatic voice-to-text conversion.
- Voice Memos can be recorded in conjunction with still images and allow for attaching up to 60-second-long sound recordings to individual images. Saved as WAV audio files, these memos can be attached to files and played when the images are reviewed. Using the Transfer & Tagging add-on on a smartphone, you can automatically or manually convert this audio into the text to be embedded in the image's metadata.
- Up to 10 distinct FTP settings can be saved and stored to an SD card, or up to 20 different settings can be saved via the Imaging Edge Mobile app.
UHD 4K Video Recording in XAVC S Format
Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.
4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.
5-Axis SteadyShot INSIDE Image Stabilization
The a9 II incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Other Camera Features
- Save/load camera settings are possible in-camera as well as to an SD card for working with the same shooting settings with multiple camera bodies.
- Customizable Fn button can be set to handle separate tasks depending on if working in stills or video modes.
- A Rating function lets you assign star values, from 1-5 to images in-camera for faster editing and sorting at home during post-production.
- An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
- Highlight and Average metering modes help avoid blown-out highlights and provide stable auto-exposure, respectively.
Imaging
| Lens Mount | Sony E |
| Sensor Type | 35.6 x 23.8 mm (Full-Frame) CMOS |
| Sensor Resolution | Actual: 28.3 Megapixel Effective: 24.2 Megapixel (6000 x 4000) |
| Crop Factor | None |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | JPEG, Raw |
| Bit Depth | 14-Bit |
| Image Stabilization | Sensor-Shift, 5-Axis |
Exposure Control
| ISO Sensitivity | Auto, 100 to 51200 (Extended: 50 to 204800) |
| Shutter Speed | Mechanical Shutter 1/8000 to 30 Seconds Bulb Mode Electronic Shutter 1/32000 to 30 Seconds Bulb Mode |
| Metering Method | Center-Weighted Average, Highlight Weighted, Multi-Zone, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3, 1/2 EV Steps) |
| Metering Range | -3 to 20 EV |
| White Balance | Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
| Continuous Shooting | Up to 20 fps at 24.2 MP for up to 239 Frames (Raw) / 361 Frames (JPEG) Up to 10 fps at 24.2 MP for up to 239 Frames (Raw) / 361 Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/5/10-Second Delay |
Video
| Recording Modes | XAVC S UHD 4K (3840 x 2160) at 24.00p/25p/29.97p [60 to 100 Mb/s] Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 100 Mb/s] AVCHD Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s] |
| External Recording Modes | 4:2:2 8-Bit UHD 4K (3840 x 2160) at 24.00p/25p/29.97p Full HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p |
| Video Encoding | NTSC/PAL |
| Audio Recording | Built-In Microphone (Stereo) External Microphone Input (Stereo) |
| Audio File Format | AC3, Dolby Digital 2ch, Linear PCM |
Focus
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) |
| Autofocus Points | Phase Detection: 693 Contrast Detection: 425 |
| Autofocus Sensitivity | -3 to +20 EV |
Viewfinder
| Viewfinder Type | Electronic (OLED) |
| Viewfinder Size | 0.5" |
| Viewfinder Resolution | 3,686,400 Dot |
| Viewfinder Eye Point | 23 mm |
| Viewfinder Coverage | 100% |
| Viewfinder Magnification | Approx. 0.78x |
| Diopter Adjustment | -4 to +3 |
Monitor
| Size | 3.0" |
| Resolution | 1,440,000 Dot |
| Display Type | Tilting Touchscreen LCD |
Flash
| Built-In Flash | No |
| Flash Modes | Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Wireless |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Dedicated Flash System | P-TTL |
| External Flash Connection | Hot Shoe, PC Terminal |
Interface
| Media/Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-II) |
| Connectivity | 3.5mm Microphone, 3.5mm Headphone, HDMI D (Micro), USB Type-C (USB 3.1), PC Sync Socket |
| Wireless | Wi-Fi Bluetooth |
| GPS | No |
Environmental
| Operating Temperature | 32 to 104°F / 0 to 40°C |
Physical
| Battery | 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 500 Shots) |
| Dimensions (W x H x D) | 5.07 x 3.8 x 3.05" / 128.9 x 96.4 x 77.5 mm |
| Weight | 1.49 lb / 678 g (Body with Battery and Memory) |
| In The Box | Sony Alpha a9 II Mirrorless Digital Camera (Body Only) Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) Sony BC-QZ1 Battery Charger Sony ALC-B1EM Body Cap for E-Mount Cameras Cable Protector Shoulder Strap Accessory Shoe Cap Eyepiece Cup USB Type-C Cable Limited 1-Year Warranty |
|---|---|
| MFG Part# | ILCE9M2/B |
| Condition | New |
Full-Frame Stacked CMOS Sensor with Integral Memory
Α9 II is the mirrorless camera that delivers next-generation high-speed performance far exceeding SLRs. It's equipped with the outstanding 35 mm stacked CMOS image sensor with integral memory for impressively fast overall readout speed. This 24.2 MP4 image sensor achieves high sensitivity of up to ISO 204800 (extended)5 with the design of back-illuminated structure.
High-speed BIONZ X image processing engine
The camera's image-processing algorithms represent the latest generation of advancements, allowing higher levels of natural tonal gradations and more stable AWB for continuous shooting.
Uncompromising Image Quality
The combination of a 24.2 effective megapixel4 integral-memory full-frame stacked CMOS image sensor and the latest-generation BIONZ X makes possible high-sensitivity performance up to ISO 512005, high dynamic range, and support for 14-bit RAW output and 16-bit image processing. Together, they help capture maximum detail and image quality while reproducing rich tonal gradations and natural color, such as human skin.
Incredibly Fast Continuous Shooting
Thanks to the α9 II's incredible speed, continuous shooting is possible at up to 20fps1 with the electronic shutter and 10fps6 with the mechanical shutter, to capture fast-moving subjects with either shutter mode, and even at its highest speed, the flash can be synchronized with the mechanical shutter.
AF/AE Calculations up to 60 Times/sec7
AF/AE is calculated up to 60 times per second7 and is virtually uninterrupted, both while composing the image and even upon releasing the shutter. Continuous AF/AE-operated on the image sensor-locks onto and tracks erratically moving subjects with high speed, precision, and reliability. Additionally, AWB Lock capability makes it possible to lock/unlock auto white balance operation at any time, which is useful in mixed lighting situations where natural and man-made light sources coexist. (1) AF/AE calculations (2) 60 times/sec (3) 20 frames/sec.
Blackout-free Shooting2 with Quad-VGA OLED Tru-FinderTM
In continuous shooting, the electronic shutter system banishes blackout interruption typical of optical viewfinders, and the high-speed image sensor eliminates distracting EVF display lag. A high 120fps8 refresh rate minimizes display blurring of moving subjects, and the Quad-VGA OLED Tru-Finder with approx. 3.68 million-dot high resolution employs ZEISS® T* Coating to reduce reflections, with a dirt-repelling fluorine coating on the outer lens to enhance usability on location. (A) Blackout-free Shooting (B) Shooting with blackouts.High-Speed 1/32000 sec9 Anti-Distortion Shutter
A result of Sony's image sensor innovation, this shutter achieves speeds up to 1/32000 sec9, beyond the limits of mechanical systems. Additionally, the high curtain speed of the electronic shutter suppresses rolling shutter effect10 to excellently capture moving subjects during sports and other fast-moving activities.
Silent shooting
Explore the advantages of high-speed silent shooting3 with a shutter that is fully digital - without a physical mechanism. The electronic shutter allows silent shooting without mechanical mirror and shutter noise. It's ideal for sports and subjects that demand quiet operation, greatly expanding camera versatility.
Anti-flicker shooting11
Flicker from fluorescent and other artificial lighting is automatically detected and shutter action is timed to minimize the effect of flicker on still images. This suppresses exposure and color anomalies at the top and bottom of images shot at high shutter speeds, as well as exposure and color inconsistency between continuous shots, so you can take images indoors with more confidence. (1) Anti-flicker ON (2) Anti-flicker OFF.
4D FOCUS: From AF Wide Coverage, Speed, and Tracking Stability
4D FOCUS means highly accurate subject detection, reliable rapid autofocusing, and continuous tracking of subjects in motion, based on uninterrupted AF and an optimized AF algorithm as well as the approximately 93% AF coverage from 693 focal-plane phase-detection AF points that track random subject motion even during shutter release.
Real-time Tracking
The Real-time Tracking technology uses AI to detect moving subjects from the wealth of information captured by the image sensor. Spatial data consisting of color, pattern (brightness) and distance information are processed in parallel at high speed, and human and animal face and eye location data are detected continuously in real time using AI, realizing high-accuracy with automatic detection and tracking performance for moving subjects.
Real-Time Eye AF for Humans and Animals
Real-time Eye AF relies on advanced AI to continuously analyze and detect eyes from the image sensor's copious data, with left or right eye preference possible with a simple toggle12. By half-pressing the shutter button, even animal13, 14 eyes are detected. Team it up with Real-time Tracking for superior tracking performance of live subjects.
Precision AF Effective Down to EV-315 Brightness
Low-light AF detection extends to EV-315 at ISO 100. The Focus Priority in Aperture Drive option enables more accurate focusing in dim lighting and when the aperture is stopped down with the result that the precision AF system will function properly even when shooting dimly lit scenes16. This opens up new possibilities in low-light and night shooting.AF/AE-tracking continuous shooting with A-mount lenses
The body's 693-point focal-plane phase-detection AF provides wide-area coverage, fast response, and high tracking performance, not only for E-mount but also for A-mount lenses17 with use of a mount adaptor (LA-EA3). Continuous shooting of up to 10fps18 with AF tracking is possible.
User-Selectable Focus Area Circulation and Customization
A new setting allows the focus area to be rotated through the upper, lower, left, and right edges of the frame to select an appropriate focus area for sports or other situations where the subject frequently moves through the frame. AF area and ISO display limiting makes it possible to display only the most frequently used focus area and ISO settings for quicker, easier selection for faster, more efficient shooting.
Body-Integrated 5-Axis Optical Image Stabilization
The body-integrated image stabilization system is fine-tuned to compensate accurately for 5-axis camera shake that can compromise handheld shooting. This gives you extremely high performance in both stills and movies, whether shooting at longer focal lengths, in close-ups, or at night. It is equivalent to using a 5.5-step19 faster shutter speed, allowing stable determination of composition when capturing subjects in high-speed motion. Real-time effects can be monitored via live view. (1) Yaw (2) Pitch (3) Roll.
Shutter Durability and Image Shake Suppression
The shutter has been tested for durability in excess of 500,000 shutter-release cycles20 and incorporates an internal damper structure to absorb the impact of shutter motion for minimum shutter vibration and noise, helping to also realize more sharply resolved imaging.
Reliable Durability and Weather Resistance21 in Tough Situations
The α9 II brings you further enhanced body durability, with full use of lightweight, high-rigidity magnesium alloy for covers and internal frame, keeping the camera highly rigid and light. In response to pro opinions, enhanced sealing is applied to the battery cover, terminal cover and all joints in the chassis. A double-sealed sliding mechanism replaces the hinge of the media compartment lid for better moisture resistance21. Routes to dust and moisture entry have been re-examined, and a cushion around the lens mount has been added to ensure reliable operation in challenging environments.
Dual media slots, both supporting UHS-II
The α9 II provides two media slots for SD cards, both SLOT 1 and SLOT 2 are now compatible with UHS-I and UHS-II for fast mass-volume data writing. Two cards in the slots can be used to simultaneously record or relay record data; separate RAW data from JPEG data, or stills from movies, and copy data from one card to the other. A slide lock structure prevents the memory card cover from being opened unintentionally.
Professional-Level Operating Stamina
The α9 II employs the large-capacity NP-FZ100 battery and a highly energy-efficient circuit design to double operation longevity to professional session lengths. The robust VG-C4EM vertical-position grip is available for greater operability and even longer hours of shooting. In addition to other optional accessories, USB Type-C™ and Multi/Micro USB ports allow external mobile batteries to power the camera for further extended recording.
Redesigned controls for confident and comfortable operation
A refined multi-selector, with a new surface texture for enhanced button response, lets you shift point of focus quickly and intuitively. With a thought for pro users, an improved grip shape reduces fatigue, and there is a new Exposure Compensation Dial Lock Button to increase operational security. In addition, the locations of the AF-ON and other key buttons have been analyzed for better feel and response. These improvements enhance your concentration on shutter release to capture the moment instantly.
Faster FTP Transfer
You can directly transfer images to an FTP server with significantly higher speed via the camera's LAN terminal that supports the Ethernet 1000BASE-T standard. It is also possible to upload images to an FTP server through an available wireless access point. The camera supports either transfer mode in the background while shooting. Up to nine servers may be pre-registered for fast menu selection.
Add Voice Memo to Your Images
The α9 II brings higher efficiency to work delivery tasks with a new Voice Memo22 function that allows you to record up to 60-sec audio files (.wav) describing shooting conditions or image content with automatic transcription into text23, which is then attached to images.
Extending Operability with Remote Camera Tool
The camera is compatible with the updated Remote Camera Tool application24 that, after pairing to assure a secure connection, handles remote single or multi-camera shooting using a wired LAN connection in venues like sports stadiums. Remote switching of the camera's FTP server settings is also possible, as well as remote control of saving and loading settings to/from an SD memory card.
Support for Faster Data Transfer; 5 GHz Wi-Fi® and USB 3.2 Gen 1
Connectivity has been improved, with new support for the IEEE 802.11ac 5 GHz band Wi-Fi®25 when the camera is connected in wireless mode, along with the camera's USB Type-CTM terminal that supports USB 3.2 Gen 1.
High-resolution 4K movie recording
The camera is capable of 4K movie recording with full-pixel readout without pixel binning. You can enjoy detail-rich, full-frame movies via the oversampling effect achieved by condensing approximately 2.4 times26 the amount of data required for 4K (6K equivalent) for 4K output (QFHD: 3840 x 2160). Additionally, the XAVC-S27 format is supported at bit rates as high as 100 Mbps.AF Improvements for Movie Shooting
When shooting 4K movies, the camera provides control of high speed, precision, and tracking performance, via adjustable tracking sensitivity, for smooth, stable AF movie shooting. More pronounced slow focus effects are now possible, and Real-time Eye AF28 is now also applicable when shooting movies, detecting and tracking eyes with high focus accuracy, which is critical when shooting 4K.Versatile movie recording functions
The α9 II provides a wide array of functions to facilitate movie shooting workflows, including interval recording, clean HDMI output, time code/user bits (TC/UB), REC Control, marker display/setting, zebra function, Slow and Quick Motion29, simultaneous proxy movie recording, and extraction and separate storage of a still from a movie, among others. A combination with the ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit, via the new digital audio interface, enables clear sound recording with minimized quality deterioration by sending a digital audio signal to the camera.
Improvement of camera settings saving function
Now, a dramatically increased number of camera settings can be stored in the memory card, and saved settings can be read by other cameras of the same model. Moreover, up to 10 sets of camera settings can be stored in a memory card, thanks to the Save/Load Setting function. Camera setups can also be imported to the Imaging Edge Mobile30 application while imported setups can be exported to other cameras of the same model.
Customizability for maximized efficiency
Thanks to My Dial, three sets of menu options can be assigned through the front/rear dials and the control wheel. By assigning frequently used functions to these dials, they become instantly available for fingertip control while a custom button is held. Function sets can be assigned individually for stills and movies.Rating Function and Image Jump Setting
Ratings from 1 to 5 stars can be applied to still images and maintained as the images are imported into the Imaging EdgeTM desktop application (Viewer) running on a PC. This function and a protect function to prevent accidental image deletion can each be assigned to a custom button (C3 by default for protect). Ratings and protection can be applied via review playback display and continuous groups can be reviewed, protected, and deleted while you're on location or traveling. With the Image Jump Setting, you can now also review large photo collections in 10 or 100-frame jumps, and group-review continuous burst shots for swift, efficient image evaluation.
Imaging Edge Remote, Viewer, and Edit Desktop Apps
Elevate your photography with Imaging Edge desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer" to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery31.
Works with iMovie and Final Cut Pro X
This product is compatible with Final Cut Pro X and iMovie32.| Lens | |
|---|---|
| Lens Compatibility | Sony E-mount lenses |
| Lens Mount | E-mount |
| Image Sensor | |
| Aspect Ratio | 3 : 2 |
| Number Of Pixels (Effective) | Approx. 24.2 megapixels |
| Number of Pixels (total) | Approx. 28.3 megapixels |
| Sensor Type | 35mm full frame (35.6×23.8mm), Exmor RS CMOS sensor |
| Anti-Dust System | Charge protection coating on optical filter and image sensor shift mechanism |
| Recording (still images) | |
| IMAGE SIZE (PIXELS) [4:3] | 35 mm full frame L: 5328 x 4000 (21 M), M: 3488 x 2624 (9.2 M), S: 2656 x 2000 (5.3 M) APS-C L: 3488 x 2624 (9.2 M), M: 2656 x 2000 (5.3 M), S: 1744 x 1312 (2.3 M) |
| Image Size (pixels) [16:9] | 35 mm full frame L: 6000 x 3376 (20 M), M: 3936 x 2216 (8.7M), S: 3008 x 1688 (5.1M), APS-C L: 3936 x 2216 (8.7M), M: 3008 x 1688 (5.1M), S: 1968 x 1112 (2.2M) |
| IMAGE SIZE (PIXELS) [1:1] | 35 mm full frame L: 4000 x 4000 (16M), M: 2624 x 2624 (6.9 M), S: 2000 x 2000 (4.0 M), APS-C L: 2624 x 2624 (6.9 M), M: 2000 x 2000 (4.0 M), S: 1312 x 1312 (1.7 M) |
| 14bit RAW | Yes |
| Image Size (pixels) [Sweep Panorama] | - |
| Picture Effect | 8 types: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), Soft High-key, Rich-tone Monochrome |
| Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-5 to +5 steps)) |
| Picture Profile | - |
| Dynamic Range Functions | Off, Dynamic Range Optimizer (Auto/Level (1-5)), Auto High Dynamic Range (Auto Exposure Difference, Exposure Difference Level (1-6 EV, 1.0 EV step)) |
| Color Space | sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINoS Color |
| Uncompressed RAW | Yes |
| Recording system (Still Image) | |
| Recording Format | JPEG (DCF Ver. 2.0, Exif Ver.2.31, MPF Baseline compliant), RAW (Sony ARW 2.3 format) |
| Image Size (pixels) [3:2] | 35 mm full frame L: 6000 x 4000 (24M), M: 3936 x 2624 (10M), S: 3008 x 2000 (6.0M), APS-C L: 3936 x 2624 (10M), M: 3008 x 2000 (6.0M), S: 1968 x 1312 (2.6M) |
| Image Quality Modes | RAW, RAW & JPEG (Extra fine, Fine, Standard), JPEG (Extra fine, Fine, Standard) |
| Recording (movie) | |
| Recording Format | XAVC S, AVCHD format Ver. 2.0 compliant |
| Color Space | xvYCC standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINoS Color |
| Picture Effect | Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera(Normal/Cool/Warm/Green/Magenta), Soft High-key |
| Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-5 to +5 steps)) |
| Picture Profile | - |
| Image Size (pixels), NTSC | XAVC S 4K: 3840 x 2160 (30p, 100 M), 3840 x 2160 (24p, 100 M), 3840 x 2160 (30p, 60 M), 3840 x 2160 (24p, 60 M), XAVC S HD: 1920 x 1080 (120p, 100 M), 1920 x 1080 (120p, 60 M), 1920 x 1080 (60p, 50 M), 1920 x 1080 (30p, 50 M), 1920 x 1080 (24p, 50 M), 1920 x 1080 (60p, 25 M), 1920 x 1080 (30p, 16 M), AVCHD: 1920 x 1080 (60i, 24 M, FX), 1920 x 1080 (60i, 17 M, FH) |
| Image Size (pixels), PAL | XAVC S 4K: 3840 x 2160 (25p, 100 M), 3840 x 2160 (25p, 60 M), AVCHD: 1920 x 1080 (50i, 24 M, FX), 1920 x 1080 (50i, 17 M, FH) |
| Slow & quick motion (shooting frame rate) | NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, |
| Slow & quick motion (recording frame rate & image size) | NTSC mode: 1920x1080 (60p, 30p, 24p), PAL mode: 1920x1080 (50p, 25p) |
| Movie Functions | Audio Level Display, Audio Rec Level, Proxy Recording (1280 x 720 (Approx. 9 Mbps)), TC/UB (TC Preset/UB Preset/TC Format/TC Run/TC Make/UB Time Rec), Auto Slow Shutter, REC Control, Clean HDMI Info. (ON/OFF selectable) |
| HDMI Output | 3840 x 2160 (25p), 1920 x 1080 (50p), 1920 x 1080 (50i), 1920 x 1080 (24p), 1920 x 1080 (60p), 1920 x 1080 (60i), 3840 x 2160 (30p), 3840 x 2160 (24p), YCbCr 4:2:2 8 bit / RGB 8 bit |
| Recording system (Movie) | |
| VIDEO COMPRESSION | XAVC S: MPEG-4 AVC/H.264, AVCHD: MPEG-4 AVC/H.264 |
| AUDIO RECORDING FORMAT | XAVC S: LPCM 2ch, AVCHD: Dolby® Digital (AC-3) 2ch, Dolby® Digital Stereo Creator |
| Recording System | |
| Location information Link from smartphone | Yes |
| Media | SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), microSD memory card, microSDHC memory card, microSDXC memory card |
| Memory Card Slot | SLOT1: Slot for SD (UHS-I/II compliant) memory card, SLOT2: Slot for SD (UHS-I/II compliant) memory card |
| Recording mode on 2 memory cards | Simult. Rec (Still), Simult. Rec (Movie), Simult. Rec (Still/Movie), Sort (JPEG/RAW), Sort (Still/Movie), Auto Switch Media (On/Off), Copy |
| Noise Reduction | |
| Noise Reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal/Low/Off |
| Multi Frame NR | - |
| White Balance | |
| White Balance Modes | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent (Warm White / Cool White / Day White / Daylight) / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter (G7 to M7 (57-step), A7 to B7 (29-step)) / Custom |
| AWB Micro Adjustment | Yes (G7 to M7, 57-step)(A7 to B7, 29-step) |
| Priority Set in AWB | Yes |
| SHUTTER AWB LOCK | Yes (Shut. Halfway Down/ Cont. Shooting/ Off) |
| Bracketing | 3 frames, H/L selectable |
| Focus | |
| Focus Type | Fast Hybrid AF (phase-detection AF/contrast-detection AF) |
| Focus Sensor | Exmor RS CMOS sensor |
| Focus Point | 35 mm full frame: 693 points (phase-detection AF), APS-C mode with FF lens: 299 points (phase-detection AF), with APS-C lens: 221 points (phase-detection AF) / 425 points (contrast-detection AF) |
| Focus Sensitivity Range | EV-3 to EV 20 (ISO 100 equivalent with F2.0 lens attached) |
| Focus Mode | AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
| Focus Area | Wide (693 points (phase-detection AF), 425 points(contrast-detection AF)) / Zone / Center / Flexible Spot (S/M/L) /Expanded Flexible Spot/ Tracking (Wide / Zone / Center / Flexible Spot (S/M/L)/Expanded Flexible Spot) |
| Other Features | Eye-start AF (only with LA-EA2 or LA-EA4 attached (Sold separately)), Tracking, [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select), AF micro adjustment with LA-EA2 or LA-EA4 (Sold separately), Predictive control, Focus lock, Swt.V/H AF Area, AF Area Regist., Circ. of Focus Point |
| AF Illuminator | Yes (with built-in LED type) |
| AF Illuminator range | Approx. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS attached) |
| Focus type with LA-EA3 (Sold separately) | phase-detection |
| Exposure | |
| Metering Sensor | Exmor RS CMOS sensor |
| Metering Sensitivity | EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached) |
| Metering Mode | Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight |
| Exposure Compensation | +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps)) |
| Exposure Bracketing | Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, or 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, or 1.0 EV increments. |
| AE Lock | Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto) |
| Exposure Modes | AUTO (iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)) |
| ISO Sensitivity | [Still images] Mechanical Shutter: ISO 100-51200 (ISO numbers up from ISO 50 to ISO 204800 can be set as expanded ISO range), AUTO (ISO 100-12800, selectable lower limit and upper limit), Electronic Shutter: ISO 100-25600 (ISO numbers up from ISO 50 can be set as expanded ISO range), AUTO (ISO 100-12800, selectable lower limit and upper limit), [Movies] ISO 100-51200 equivalent (ISO numbers up to ISO 102400 can be set as expanded ISO range), AUTO (ISO 100-12800, selectable lower limit and upper limit) |
| Anti-Flicker Shoot. | Yes33 |
| Scene Selection | - |
| Metering Type | 1200-zone evaluative metering |
| Viewfinder | |
| Viewfinder Type | 0.51 inch (0.5 type) electronic viewfinder (color), Quad-VGA OLED |
| Number of Dots | 3 686 400 dots |
| Brightness Control (Viewfinder) | Auto/Manual (5 steps between -2 and +2) |
| Color Temperature Control | Manual (5 steps) |
| Field Coverage | 100% |
| Magnification | approx. 0.78 x (with 50mm lens at infinity, -3.28 feet-1) |
| Diopter Adjustment | -4.0 to +3.0 m-1 |
| Eye Point | Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1m-1 (CIPA standard) |
| Finder Frame Rate Selection | STD 60fps / HI 120fps |
| Display Contents | Graphic Display, Display All Info, No Display Info, Digital Level Gauge, Histogram |
| LCD Screen | |
| Monitor Type | 2.95 inch (3.0-type) wide type TFT |
| Touch Panel | Yes |
| Number of Dots | 1,440,000 dots |
| Brightness Control | Manual (5 steps between -2 and +2), Sunny Weather mode |
| Adjustable Angle | Up by approx. 107 degrees, Down by approx. 41 degrees |
| Display Selecter (Finder/LCD) | Yes (Auto/Manual) |
| Real-time Image Adjustment Display (LCD) | On/Off |
| Quick Navi | Yes |
| Focus Magnifier | Yes (35mm full frame: 4.7x, 9.4x, APS-C: 3.1x, 6.2x) |
| Zebra | Yes (selectable level + range or lower limit as custom setting) |
| Peaking MF | Yes (Level setting: High/Mid/Low/Off, Color: Red/Yellow/Blue/White) |
| Others | WhiteMagic, Grid Line (Rule of 3rds Grid/Square Grid/Diag. + Square Grid/Off), Movie Marker (Center/Aspect/Safety Zone/Guideframe) |
| Display Content | Graphic Display, Display All Info, No Disp. Info, Digital Level Gauge, Histogram, For viewfinder, Monitor Off |
| Other Features | |
| PlayMemories Camera Apps™ | - |
| Clear Image Zoom | Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD) |
| Digital Zoom | Smart zoom (Still images):35mm full frame: M:approx 1.5x, S:approx 2x, APS-C: M:approx 1.3x, S:approx 2x, Digital zoom (Still images):35mm full frame: L:approx 4x, M:approx 6.1x, S:approx 8x, APS-C: L:approx 4x, M:approx 5.2x, S:approx 8x, Digital zoom (Movie):35mm full frame: approx 4x, APS-C: approx 4x |
| Face Detection | Modes: Face Priority in AF (On/Off), Face Priority in Multi Metering (On/Off), Regist. Faces Priority (On/Off), Face registration, Max. number detectable: 8 faces |
| Self-Portrait Self-Timer | - |
| Others | Interval Recording, Touch Focus: Yes (Touch Focus/Touch Pad/Touch Tracking), ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, FTP Transfer Func., Help guide, Area Setting, Shop Front Mode, Video Light Mode, Zoom Ring Rotate |
| Eye-Fi ready | - |
| Shutter | |
| TYPE | Electronically controlled, vertical-traverse, focal-plane type |
| Shutter Type | Auto/Mechanical shutter/Electronic shutter |
| Shutter Speed | [Still images, Single shot]34 Mechanical Shutter: 1/8000 to 30 sec, Bulb, AUTO: 1/32000 to 30 sec, Bulb, Electronic Shutter: 1/32000 to 30 sec, [Still images, Continuous shooting]34 Mechanical Shutter: 1/8000 to 30 sec, AUTO: 1/32000 to 1/8 sec, Electronic Shutter: 1/32000 to 1/8 sec, [Movies]: 1/8000 to 1/4 (1/3 steps) up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) |
| Flash Sync. Speed | 1/250 sec.35 |
| Electronic Front Curtain Shutter | Yes (ON/OFF) |
| Silent Shooting | Yes (Electronic Shutter) |
| Flash Control | |
| TYPE | - |
| Guide No. | - |
| Flash coverage | - |
| Control | Pre-flash TTL36 |
| Flash Compensation | +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps) |
| Flash Bracketing | 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, 1.0 EV increments. |
| Flash Modes | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless37, Hi-speed sync.37 |
| External Flash Compatibility | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe |
| FE Level Lock | Yes |
| Wireless Control | Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. /Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.) |
| Image Stabilization | |
| TYPE | Image Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications) |
| Compensation Effect | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.) |
| Drive | |
| Drive Modes | Single Shooting, Continuous shooting (Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
| Continuous Drive Speed (approx. max.) | AUTO/Electronic Shutter: Continuous shooting: Hi: max. 20 fps, Mid: max. 10fps, Lo: max. 5fps38, 39, 40, Mechanical Shutter: Continuous shooting: Hi: max. 10fps, Mid: max. 8fps, Lo: max. 3 fps41 |
| No. of recordable frames (approx.) | JPEG Extra fine L: 361 frames, JPEG Fine L: 361 frames, JPEG Standard L: 361 frames, RAW: 239 frames, RAW & JPG: 226 frames, RAW (Uncompressed): 131 frames, RAW (Uncompressed) & JPG: 120 frames41 |
| Self-Timer | 10 sec delay/5 sec delay/2 sec delay/Continuous self-timer (3 frames after 10 sec delay/5 frames after 10 sec delay/3 frames after 5 sec delay/5 frames after 5 sec delay/3 frames after 2 sec delay/5 frames after 2 sec delay)/Bracketing self-timer (Off/2 sec delay/5 sec delay/10sec delay) |
| Playback | |
| Photo Capture | Yes |
| Modes | Single (with or without shooting information Y RGB histogram & highlight/shadow warning), 9/25-frame index view, Enlarged display mode (L: 15.0x, M: 9.84x, S: 7.52x), Auto Review (10/5/2 sec, Off), Image orientation (Auto/Manual/Off selectable), Slideshow, Folder selection (Date/Still/MP4/AVCHD/XAVC S HD/XAVC S 4K), Forward/Rewind (movie), Delete, Protect, Rating, Display as Group, Voice Memo |
| Interface | |
| PC Interface | Mass-storage, MTP, PC remote |
| Multi/Micro USB Terminal | Yes42 |
| NFC™ | Yes (NFC forum Type 3 Tag compatible), One-touch remote, One-touch sharing |
| Wireless LAN (Built-In) | Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band)43, 44, View on Smartphone, Remote control via Smartphone, Send to Computer, View on TV |
| HD Output | HDMI micro connector (Type-D), BRAVIA Sync (Control for HDMI), PhotoTV HD, 4K movie output/4K still image PB |
| Auto-lock Accessory Shoe | - |
| Smart Accessory Terminal 2 | - |
| DC IN Terminal | - |
| Sync terminal | Yes |
| Bluetooth® | Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band)) |
| Multi Interface Shoe | Yes (with Digital Audio Interface)45 |
| Vertical Grip Connector | Yes |
| Mic Terminal | Yes (3.5 mm Stereo minijack) |
| PC Remote | Yes |
| Headphone Terminal | Yes (3.5 mm Stereo minijack) |
| LAN Terminal | Yes (1000BASE-T) |
| Compatible Standards | Exif Print, Print Image Matching III, DPOF setting |
| Custom function | |
| Type | Custom key settings, Programmable Setting (Body 3 sets/memory card 4 sets), My Menu, My Dial Settings, Reg Cust Shoot Set |
| Lens Compensation | |
| Setting | Peripheral Shading, Chromatic Aberration, Distortion |
| Audio | |
| Microphone | Built-in, stereo |
| Speaker | Built-in, monaural |
| Power | |
| Supplied Battery | One rechargeable battery pack NP-FZ100 |
| Battery Life (Still Images) | Approx. 500 shots (Viewfinder) / approx. 690 shots (LCD monitor) (CIPA standard)46 |
| Battery Life (Movie, actual recording) | Approx. 110 min (Viewfinder) / Approx. 120 min (LCD monitor) (CIPA standard)47 |
| Battery Life (Movie, continuous recording) | Approx. 195 min (Viewfinder) / Approx. 200 min (LCD monitor) (CIPA standard) |
| Internal Battery Charge | Yes (Available with Multi/Micro USB Terminal or USB Type-C Terminal) |
| External Power | - |
| Power consumption with Viewfinder | Still images: approx. 3.9 W (with FE 28-70 mm F3.5-5.6 OSS lens attached), Movies: Approx 5.0 W (with FE 28-70 mm F3.5-5.6 OSS lens attached) |
| Power consumption with LCD screen | Still images: approx. 2.9 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), Movies: Approx. 4.9W (with FE 28-70 mm F3.5-5.6 OSS lens attached) |
| USB Power Supply | Yes (Available with Multi/Micro USB Terminal or USB Type-C Terminal) |
| Size & Weight | |
| Weight (with battery and memory card included) | Approx. 1 lb 8.0 oz / approx. 678 g |
| Dimensions (W x H x D) | Approx. 128.9 mm x 96.4 mm x 77.5 mm, Approx. 128.9 mm x 96.4 mm x 67.3 mm (from grip to monitor)/Approx. 5 1/8” x 3 7/8” x 3 1/8”, Approx. 5 1/8” x 3 7/8” x 2 3/4” (from grip to monitor) |
| Others | |
| Operating Temperature | 32 - 104 degrees F / 0 - 40 degrees C |
Product Information provided by the Manufacturer
Alpha 9 II II full-frame camera with pro capability
Full-Frame Stacked CMOS Sensor with Integral Memory
Α9 II is the mirrorless camera that delivers next-generation high-speed performance far exceeding SLRs. It's equipped with the outstanding 35 mm stacked CMOS image sensor with integral memory for impressively fast overall readout speed. This 24.2 MP4 image sensor achieves high sensitivity of up to ISO 204800 (extended)5 with the design of back-illuminated structure.
High-speed BIONZ X image processing engine
The camera's image-processing algorithms represent the latest generation of advancements, allowing higher levels of natural tonal gradations and more stable AWB for continuous shooting.
Uncompromising Image Quality
The combination of a 24.2 effective megapixel4 integral-memory full-frame stacked CMOS image sensor and the latest-generation BIONZ X makes possible high-sensitivity performance up to ISO 512005, high dynamic range, and support for 14-bit RAW output and 16-bit image processing. Together, they help capture maximum detail and image quality while reproducing rich tonal gradations and natural color, such as human skin.
Incredibly Fast Continuous Shooting
Thanks to the α9 II's incredible speed, continuous shooting is possible at up to 20fps1 with the electronic shutter and 10fps6 with the mechanical shutter, to capture fast-moving subjects with either shutter mode, and even at its highest speed, the flash can be synchronized with the mechanical shutter.
AF/AE Calculations up to 60 Times/sec7
AF/AE is calculated up to 60 times per second7 and is virtually uninterrupted, both while composing the image and even upon releasing the shutter. Continuous AF/AE-operated on the image sensor-locks onto and tracks erratically moving subjects with high speed, precision, and reliability. Additionally, AWB Lock capability makes it possible to lock/unlock auto white balance operation at any time, which is useful in mixed lighting situations where natural and man-made light sources coexist. (1) AF/AE calculations (2) 60 times/sec (3) 20 frames/sec.
Blackout-free Shooting2 with Quad-VGA OLED Tru-FinderTM
In continuous shooting, the electronic shutter system banishes blackout interruption typical of optical viewfinders, and the high-speed image sensor eliminates distracting EVF display lag. A high 120fps8 refresh rate minimizes display blurring of moving subjects, and the Quad-VGA OLED Tru-Finder with approx. 3.68 million-dot high resolution employs ZEISS® T* Coating to reduce reflections, with a dirt-repelling fluorine coating on the outer lens to enhance usability on location. (A) Blackout-free Shooting (B) Shooting with blackouts.High-Speed 1/32000 sec9 Anti-Distortion Shutter
A result of Sony's image sensor innovation, this shutter achieves speeds up to 1/32000 sec9, beyond the limits of mechanical systems. Additionally, the high curtain speed of the electronic shutter suppresses rolling shutter effect10 to excellently capture moving subjects during sports and other fast-moving activities.
Silent shooting
Explore the advantages of high-speed silent shooting3 with a shutter that is fully digital - without a physical mechanism. The electronic shutter allows silent shooting without mechanical mirror and shutter noise. It's ideal for sports and subjects that demand quiet operation, greatly expanding camera versatility.
Anti-flicker shooting11
Flicker from fluorescent and other artificial lighting is automatically detected and shutter action is timed to minimize the effect of flicker on still images. This suppresses exposure and color anomalies at the top and bottom of images shot at high shutter speeds, as well as exposure and color inconsistency between continuous shots, so you can take images indoors with more confidence. (1) Anti-flicker ON (2) Anti-flicker OFF.
4D FOCUS: From AF Wide Coverage, Speed, and Tracking Stability
4D FOCUS means highly accurate subject detection, reliable rapid autofocusing, and continuous tracking of subjects in motion, based on uninterrupted AF and an optimized AF algorithm as well as the approximately 93% AF coverage from 693 focal-plane phase-detection AF points that track random subject motion even during shutter release.
Real-time Tracking
The Real-time Tracking technology uses AI to detect moving subjects from the wealth of information captured by the image sensor. Spatial data consisting of color, pattern (brightness) and distance information are processed in parallel at high speed, and human and animal face and eye location data are detected continuously in real time using AI, realizing high-accuracy with automatic detection and tracking performance for moving subjects.
Real-Time Eye AF for Humans and Animals
Real-time Eye AF relies on advanced AI to continuously analyze and detect eyes from the image sensor's copious data, with left or right eye preference possible with a simple toggle12. By half-pressing the shutter button, even animal13, 14 eyes are detected. Team it up with Real-time Tracking for superior tracking performance of live subjects.
Precision AF Effective Down to EV-315 Brightness
Low-light AF detection extends to EV-315 at ISO 100. The Focus Priority in Aperture Drive option enables more accurate focusing in dim lighting and when the aperture is stopped down with the result that the precision AF system will function properly even when shooting dimly lit scenes16. This opens up new possibilities in low-light and night shooting.AF/AE-tracking continuous shooting with A-mount lenses
The body's 693-point focal-plane phase-detection AF provides wide-area coverage, fast response, and high tracking performance, not only for E-mount but also for A-mount lenses17 with use of a mount adaptor (LA-EA3). Continuous shooting of up to 10fps18 with AF tracking is possible.
User-Selectable Focus Area Circulation and Customization
A new setting allows the focus area to be rotated through the upper, lower, left, and right edges of the frame to select an appropriate focus area for sports or other situations where the subject frequently moves through the frame. AF area and ISO display limiting makes it possible to display only the most frequently used focus area and ISO settings for quicker, easier selection for faster, more efficient shooting.
Body-Integrated 5-Axis Optical Image Stabilization
The body-integrated image stabilization system is fine-tuned to compensate accurately for 5-axis camera shake that can compromise handheld shooting. This gives you extremely high performance in both stills and movies, whether shooting at longer focal lengths, in close-ups, or at night. It is equivalent to using a 5.5-step19 faster shutter speed, allowing stable determination of composition when capturing subjects in high-speed motion. Real-time effects can be monitored via live view. (1) Yaw (2) Pitch (3) Roll.
Shutter Durability and Image Shake Suppression
The shutter has been tested for durability in excess of 500,000 shutter-release cycles20 and incorporates an internal damper structure to absorb the impact of shutter motion for minimum shutter vibration and noise, helping to also realize more sharply resolved imaging.
Reliable Durability and Weather Resistance21 in Tough Situations
The α9 II brings you further enhanced body durability, with full use of lightweight, high-rigidity magnesium alloy for covers and internal frame, keeping the camera highly rigid and light. In response to pro opinions, enhanced sealing is applied to the battery cover, terminal cover and all joints in the chassis. A double-sealed sliding mechanism replaces the hinge of the media compartment lid for better moisture resistance21. Routes to dust and moisture entry have been re-examined, and a cushion around the lens mount has been added to ensure reliable operation in challenging environments.
Dual media slots, both supporting UHS-II
The α9 II provides two media slots for SD cards, both SLOT 1 and SLOT 2 are now compatible with UHS-I and UHS-II for fast mass-volume data writing. Two cards in the slots can be used to simultaneously record or relay record data; separate RAW data from JPEG data, or stills from movies, and copy data from one card to the other. A slide lock structure prevents the memory card cover from being opened unintentionally.
Professional-Level Operating Stamina
The α9 II employs the large-capacity NP-FZ100 battery and a highly energy-efficient circuit design to double operation longevity to professional session lengths. The robust VG-C4EM vertical-position grip is available for greater operability and even longer hours of shooting. In addition to other optional accessories, USB Type-C™ and Multi/Micro USB ports allow external mobile batteries to power the camera for further extended recording.
Redesigned controls for confident and comfortable operation
A refined multi-selector, with a new surface texture for enhanced button response, lets you shift point of focus quickly and intuitively. With a thought for pro users, an improved grip shape reduces fatigue, and there is a new Exposure Compensation Dial Lock Button to increase operational security. In addition, the locations of the AF-ON and other key buttons have been analyzed for better feel and response. These improvements enhance your concentration on shutter release to capture the moment instantly.
Faster FTP Transfer
You can directly transfer images to an FTP server with significantly higher speed via the camera's LAN terminal that supports the Ethernet 1000BASE-T standard. It is also possible to upload images to an FTP server through an available wireless access point. The camera supports either transfer mode in the background while shooting. Up to nine servers may be pre-registered for fast menu selection.
Add Voice Memo to Your Images
The α9 II brings higher efficiency to work delivery tasks with a new Voice Memo22 function that allows you to record up to 60-sec audio files (.wav) describing shooting conditions or image content with automatic transcription into text23, which is then attached to images.
Extending Operability with Remote Camera Tool
The camera is compatible with the updated Remote Camera Tool application24 that, after pairing to assure a secure connection, handles remote single or multi-camera shooting using a wired LAN connection in venues like sports stadiums. Remote switching of the camera's FTP server settings is also possible, as well as remote control of saving and loading settings to/from an SD memory card.
Support for Faster Data Transfer; 5 GHz Wi-Fi® and USB 3.2 Gen 1
Connectivity has been improved, with new support for the IEEE 802.11ac 5 GHz band Wi-Fi®25 when the camera is connected in wireless mode, along with the camera's USB Type-CTM terminal that supports USB 3.2 Gen 1.
High-resolution 4K movie recording
The camera is capable of 4K movie recording with full-pixel readout without pixel binning. You can enjoy detail-rich, full-frame movies via the oversampling effect achieved by condensing approximately 2.4 times26 the amount of data required for 4K (6K equivalent) for 4K output (QFHD: 3840 x 2160). Additionally, the XAVC-S27 format is supported at bit rates as high as 100 Mbps.AF Improvements for Movie Shooting
When shooting 4K movies, the camera provides control of high speed, precision, and tracking performance, via adjustable tracking sensitivity, for smooth, stable AF movie shooting. More pronounced slow focus effects are now possible, and Real-time Eye AF28 is now also applicable when shooting movies, detecting and tracking eyes with high focus accuracy, which is critical when shooting 4K.Versatile movie recording functions
The α9 II provides a wide array of functions to facilitate movie shooting workflows, including interval recording, clean HDMI output, time code/user bits (TC/UB), REC Control, marker display/setting, zebra function, Slow and Quick Motion29, simultaneous proxy movie recording, and extraction and separate storage of a still from a movie, among others. A combination with the ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit, via the new digital audio interface, enables clear sound recording with minimized quality deterioration by sending a digital audio signal to the camera.
Improvement of camera settings saving function
Now, a dramatically increased number of camera settings can be stored in the memory card, and saved settings can be read by other cameras of the same model. Moreover, up to 10 sets of camera settings can be stored in a memory card, thanks to the Save/Load Setting function. Camera setups can also be imported to the Imaging Edge Mobile30 application while imported setups can be exported to other cameras of the same model.
Customizability for maximized efficiency
Thanks to My Dial, three sets of menu options can be assigned through the front/rear dials and the control wheel. By assigning frequently used functions to these dials, they become instantly available for fingertip control while a custom button is held. Function sets can be assigned individually for stills and movies.Rating Function and Image Jump Setting
Ratings from 1 to 5 stars can be applied to still images and maintained as the images are imported into the Imaging EdgeTM desktop application (Viewer) running on a PC. This function and a protect function to prevent accidental image deletion can each be assigned to a custom button (C3 by default for protect). Ratings and protection can be applied via review playback display and continuous groups can be reviewed, protected, and deleted while you're on location or traveling. With the Image Jump Setting, you can now also review large photo collections in 10 or 100-frame jumps, and group-review continuous burst shots for swift, efficient image evaluation.
Imaging Edge Remote, Viewer, and Edit Desktop Apps
Elevate your photography with Imaging Edge desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer" to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery31.
Works with iMovie and Final Cut Pro X
This product is compatible with Final Cut Pro X and iMovie32.GREAT CAMERA!
Synergy_Studio, Virginia, USA:
Great Camera Except……. It needs more Megapixels. It is pretty good in all other realms and could be improved in time by adding more functionality.
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4.8
284 Reviews
Ordered a lens on Friday. Item was delivered to me on Monday. Arrived in excellent condition in perfect working order. Not only did I pay a very reasonable price, but the shipping was free ! I will definitely do business with Pixel Connection again should the need arise !
I cannot say enough good things about Pixel Connection. I've bought multiple camera bodies - new and used - from them, along with several lenses, and they simply cannot be beat. Super helpful on the phone, good prices, and willing to work with customers to make the right solution happen. Pixel Connection is where I look first when buying camera equipment.
I am a cosmetic dentist so my photography is very important to me. I needed my camera set up for ease of use and custom settings. Jesse and Sam are so knowledgeable. Those two men helped me quickly and the Pixel store is open until 7 pm so I was able to get this done before my next working day! I also noticed Pixel has everything one needs for cameras, video and audio, social media, drones and even film! Check this store out for yourself for quality service and products!
⭐⭐⭐⭐⭐
My latest experience with ThePixelConnection was absolutely phenomenal. Matt and Ari went above and beyond to ensure I got the camera I needed, even when it seemed impossible.
The item I needed was out of stock everywhere else, but they didn’t stop there—they took the extra step to contact the manufacturer directly and managed to secure a new unit straight from the factory. Thanks to their incredible effort, I received my camera just in time for an important event.
What truly sets ThePixelConnection apart is the personal touch they bring to every interaction. Unlike my experiences with B&H—which, while efficient and resourceful, often feel very clinical and transactional—ThePixelConnection makes you feel like a genuinely valued customer.
I’ve worked with B&H for years and spent a small fortune with them, but if ThePixelConnection has what I need, they’re always my first choice. Their team is passionate, knowledgeable, and deeply committed to ensuring you get exactly what you’re looking for.
Matt, in particular, is a seasoned professional with extensive expertise in photography and their product lineup. His guidance and dedication made the entire process effortless and stress-free.
If you’re looking for exceptional service from a team that truly values its customers, look no further than ThePixelConnection. They’ve earned my loyalty, and I can’t recommend them highly enough!
5
Out of 5.0
Overall Rating
100%
of customers that buy this product give
it a 4 or 5-Star rating.
January 28, 2020 by Laslo V. (PA, United States)
“Best focusing mirrorless camera on the market. Build quality and ergonomics improved over the previous model”
