Short description
Quick Overview
- 10.2MP Full-Frame CMOS Exmor R Sensor
- UHD 4K up to 120 | 1080p up to 240
- Compact Form for Cage-Free Operation
- 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
- S-Cinetone/S-Log3/HLG, 15+ Stops DR
- Detachable 2 x XLR/TRS Adapter Handle
- Phase Detection AF/Face Tracking/Eye AF
- 80 to 409,600 Expanded ISO Range
- Dual CFexpress Type A/SDXC Card Slots
Product Description
Complementing the imaging attributes, the EOS M50 also incorporates a 2.36m-dot OLED electronic viewfinder and a 3.0" touchscreen LCD for intuitive control. The screen's vari-angle design permits working from high and low working angles and its touchscreen interface allows working with Touch and Drag AF for easier manipulation of the AF area. Additionally, built-in Wi-Fi with NFC is available for quick and convenient pairing with a smartphone or tablet for wireless image sharing, and Bluetooth is also featured for image sharing to and remote camera control from a mobile device.
With a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you'd expect from this class but sports a newly designed body that's hand-holdable, with a streamlined and minimal profile, and has a "cage-free" design, indicating the ability to secure various accessories directly to the camera body.
Its 12.1MP Exmor R BSI CMOS sensor pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, and S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.
Beyond the physical design just being compact, it's also built to maximize efficiency and operability through the inclusion of an articulating 3.0" touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording.
Most Compact Member of the Cinema Line Family
This compact addition to Sony's Cinema Line blends the full-frame, S-Cinetone capture of the FX6 with the UHD 4K capture, autofocus options, and body size of the a7S III camera. The video-forward design of the FX3 also shares several handling and audio features with the FX6 and the ISO range and battery of the a7S III.
Common FX3/FX6/a7S III Features
- Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor
- High-speed rates of 120p in 4K and 240p in HD
- The dynamic range of 15+ stops
Shared FX3/FX6 Attributes
- S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options
- Tally lamps on the front, side, and rear
- Internal fan to prevent overheating
- Zoom lever
Shared FX3/A7S III Attributes
- 5-axis in-body image stabilization
- 16-bit raw output via HDMI
- S-Log2 gamma choice
- 80 to 409,6000 ISO range (expanded)
Improved FX3 Features
- Comfortable, cage-free, handheld operation
- Greater than 1.6x battery runtime compared to a7S III
- USB-PD power option for extended shooting times
4K Full-Frame CMOS Exmor R Sensor
The 12.1MP Exmor R sensor and BIONZ XR processor offer true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts.
S-Cinetone Color
- Default S-Cinetone color setting provides a softer-toned look with beautiful skin tone reproduction
- Complements your VENICE, FX9, or FX6 footage
- S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2: support help to maintain rich gradation and color compatible with the range of Sony Cinema Line cameras
Cinematic Recording / Frame Rate Options
- Up to 600 Mb/s XAVC S-I ALL-I H.264 codec recording
- XAVC HS codec recording with H.265 encoding for lower bit rates in Long GOP
- Internal 10-bit 4:2:2 recording to CFexpress Type A or SD memory cards
- External, 16-bit raw,10-bit 4:2:2 output via HDMI type-A port
- 8-bit XAVC S or 10-bit XAVC HS proxy capture
- 10-bit, 4:2:2 color available in all formats including HLG
- Full-frame UHD 4K high-speeds up to 120p
- S35 HD high-speed rates up to 240p
- Up to 5x slow-motion rates
Compact Design / Ergonomic Operation
- Flexible, streamlined, 5 x 3 x 3" form
- 3" LCD with 1,440,000-dot resolution tilts for optimal viewing
- Can be used with or without a cage
- Right-handed controls feature placement consistent with the rest of the Cinema Line
- Five 1/4"-20 accessory threads on the FX3 body plus two on the top handle
- Intuitive touchscreen menu
- Customizable buttons for assigning 15 controls and up to 140 menu items
- Tally (record) lights are easily viewable on the top, front, and rear of the camera
- Dual CFexpress Type A/SD slots
- Relay, simultaneous, and backup recording
- Customizable zoom setting plus Clear Image Zoom
Detachable XLR Adapter Handle
- Top handle with two XLR/3.5mm TRS combo audio inputs
- Microphone holder and 3.5mm mic input
- Digital audio with up to 4-channel, 24-bit recording
- Contoured for comfortable low-angle shooting
Fast Hybrid / Phase Detection Autofocus
- Multiple autofocusing modes are designed for solo shooting
- Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame
- Real-Time Eye AF, Eye and Face Detection, and subject Touch Tracking
Durable Build / Enhanced Operating
- An integrated cooling fan and a heat-dissipating design enable uninterrupted recording up to 4K60
- Magnesium-alloy chassis and shell
- Sealed against inclement weather and dust
Wireless Connectivity
- Dual-band 2.4/5 GHz wireless connectivity
- Wired LAN link using the USB Type-C port and a separate adapter
Post-Production Stabilization with E-Mount Lenses
- Sony's Catalyst Prepare/Browse software uses shake metadata to stabilize your image
- The adjustable balance between shake compensation and image area trimming
Imaging
| Lens Mount | Sony E |
| Interchangeable Lens Mount | None |
| Lens Communication | Yes |
| Sensor Resolution | Actual: 12.1 Megapixel Effective: 10.2 Megapixel |
| Sensor Type | 35.6 x 23.8 mm (Full-Frame) CMOS |
| Built-In ND Filter | None |
| ISO Sensitivity | 80 to 102,400 (Native) 80 to 409,600 (Expanded) |
| Shutter Type | Rolling Shutter |
| Advertised Dynamic Range | 15 Stops |
Internal Recording
| Recording Modes | XAVC HS/XAVC S/XAVC S-I 4:2:2 10-Bit: 3840 x 2160p at 23.98/25/29.97/50/59.94/100/119.88 fps (600 Mb/s) 1920 x 1080p at 23.98/25/29.97/50/59.94/100/119.88/240 fps (600 Mb/s) XAVC S 8-Bit: 1280 x 720p at 23.98/25/29.97/50/59.94/100/119.88/200/240 fps |
| Variable Frame Rates | UHD: 1 Up to 120 fps 4K Anamorphic (Windowed): 1 Up to 240 fps |
| Gamma Curve | HDR-HLG, S Cinetone, Sony S-Log 2, Sony S-Log 3, Standard |
| Audio Recording | 4-Channel 24-Bit LPCM Audio 2-Channel 24-Bit LPCM Audio |
| Still Image Support | EXIF / JPEG / MJPEG / Raw |
External Recording
| Raw Output | HDMI In Raw Mode: 4264 x 2408 16-Bit at 24/25/30/50/60 fps 3840 x 2160 16-Bit at 24/25/30/50/60 fps 1920 x 1080 16-Bit at 24/25/30/50/60 fps |
| IP Streaming | Yes |
Interface
| Media/Memory Card Slot | Dual Slot: CFexpress Type A Dual Slot: SD/SDHC/SDXC |
| Video Connectors | 1 x HDMI Output |
| Audio Connectors | 2 x XLR / 1/4" TRS Combo Mic/Line Level Input on Included Handle 1 x 1/8" / 3.5 mm Stereo Mic Level Input on Camera Body 1 x 1/8" / 3.5 mm Stereo Headphone Output on Camera Body |
| Built-In Microphone Type | Stereo |
| Other I/O | 1 x USB Type-C 1 x USB Micro-B |
| Wireless Interfaces | 2.4 / 5 GHz Wi-Fi 5 (802.11ac) |
Monitor
| Size | 3" |
| Resolution | 1,440,000 Dot |
| Display Type | Tilting Touchscreen LCD |
EVF
| EVF | Optional, Not Included |
Power
| Battery Type | Sony Z-Series |
| Power Connectors | 1 x USB Type-C Input |
| Power Consumption | ≤7.3 W |
Environmental
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Storage Temperature | -4 to 140°F / -20 to 60°C |
Physical
| Accessory Mount | 5 x 1/4"-20 Female 3 x 1/4"-20 Female |
| Tripod Mounting Thread | 1/4"-20 Female |
| Material of Construction | Magnesium Alloy |
| Dimensions | 5.1 x 3.3 x 3.1" / 129.7 x 84.5 x 77.8 mm |
| Weight | 22.6 oz / 640 g 25.2 oz / 715 g |
| In The Box | Sony FX3 Full-Frame Cinema Camera Detachable Handle Unit Limited 1-Year Warranty |
|---|---|
| MFG Part# | ILME-FX3 |
| Condition | New |
Image sensor with blazingly fast readout speed
The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.
High-performance image-processing engine
The BIONZ XR™ image-processing engine is designed for high speed, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data-transfer, user-interface, and other camera operations.
High sensitivity, wide dynamic range
The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimizing the sensor's output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.
4K High Frame Rate 120fps recording
You can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting.
Acclaimed cinematic color with S-Cinetone™
The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic color to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction even without post-production grading.[1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11).
All-Intra internal recording
In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bit rate, up to 600 Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production.[1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures.
HEVC codec with high compression efficiency
XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.16-bit RAW data output
Facilitating improved image quality and more flexible and efficient editing in post-production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K workflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).
New S-Log shooting modes for optimized image quality
Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Eine EI Quick simplifies setup by automatically switching the camera's base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709 has been added to the available LUT presets.
Proxy recording for more efficient editing workflow
Low-bit-rate HD proxy files can be recorded simultaneously with higher-bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720).
Expand your vision with Creative Look
Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favorite settings as a custom look.
10-bit HLG picture profile
An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout, and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.[1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required).Flexible exposure mode
Flexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed, and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.
Fast Hybrid AF for dependable focus during movie shooting
Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.
Fast, easy and reliable Real-time Tracking and Eye AF
Focus control is fast and intuitive, to ensure you have full creative control of the FX3's powerful AF technology. Real-time Tracking greatly assists during solo shooting by analyzing the subject's color, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.
Fast, easy touch-focus control
Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation-ensuring you have full creative control of the FX3's powerful AF technology.
In-body optical image stabilization for handheld shooting
Relying on a new high-precision stabilization unit, gyro sensors, and optimized image stabilization algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording , even while walking. With this unprecedented level of stabilization it's possible to shoot with the camera only, taking advantage of the compact size and mobility.[1] Track of camera shake [2] Standard [3] Active.
XLR adaptor and digital input for quality audio
The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi-Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.
HDMI Type-A output and monitoring options
With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera's LCD monitor, an HDMI-connected external recording or monitoring device.
Uninterrupted 4K 60p recording
For uninterrupted 4K 60p recording, the FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.
REC lamps and highlighting during video recording
There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.
Customizable buttons for professional movie creators
The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customizable keys and menus deliver streamlined workflows in the field. It's designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.
Various zoom operations tailor your expression
The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle-of-view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary reframing to purposeful cinematic zooms.
Cage-free accessory mounting
Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimized for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.
Touch-driven menu with workflow-based navigation
Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers' work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.
Flexible camera positioning with vari-angle monitor
The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal-mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low-angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity.
Two CFexpress Type A-compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.
Reliable, durable, and lightweight construction
For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.
Reliable durability and weather resistance in tough situations
In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers, and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.
Power for professional length
For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery.
Data communications to support on-site workflow
Wireless 5 GHz/2.4 GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® terminal supporting SuperSpeed USB 5 Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.
Metadata to facilitate editing with Catalyst
Sony's Catalyst Browse and Prepare software are ideal production partners for the FX3. The camera records five types of metadata: LUTs, image stabilization, breathing, camera rotation, and Shot Marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.| General | |
|---|---|
| CAMERA TYPE | Interchangeable lens digital camera |
| LENS MOUNT | E-mount |
| Size & Weight | |
| WEIGHT (MAIN UNIT ONLY) (approx.) | 1 lb 9.3 oz (715 g) (with battery and memory card included), 1 lb 6.6 oz (640 g) (body only) |
| WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.) | 2 lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card) |
| DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (approx.) | 2 lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card) |
| DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.) | 5.11 x 3.06 x 3.33 inches (129.7 mm x 77.8 mm x 84.5 mm) (body without protrusions) |
| Power | |
| POWER CONSUMPTION | [Movie] Approx. 7.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), [Still image] Approx. 3.4 W (with FE 28–70 mm F3.5–5.6 OSS lens attached) |
| BATTERY OPERATING TIME | Approx. 95 min (Actual recording, CIPA standard)1, Approx. 135 min (Continuous recording, CIPA standard), Approx. 580 shots (still images, CIPA standard) |
| Operation | |
| OPERATING TEMPERATURE | 32 °F to 104 °F (0 °C to 40 °C) |
| STORAGE TEMPERATURE | –4 °F to +131 °F, –20 °C to +55 °C |
| Recording Format (Video) | |
| XAVC HS | [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC / H.265 |
| XAVC S | [XAVC S 4K] XAVC S 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, |
| XAVC S-I |
[XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I DCI 4K] XAVC S-I DCI 4K 59.94p 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 50p 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 29.97p 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 25p 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 23.98p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 24.00p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264 |
| Recording Format (Audio) | |
| RECORDING FORMAT (AUDIO) | LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch |
| Recording Frame Rate | |
| XAVC HS | [XAVC HS 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 23.98p |
| XAVC S | [XAVC S 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p |
| XAVC S-I |
[XAVC S-I 4K] 3840 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I DCI 4K] 4096 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, 24.00p |
| Recording/ Playback Time | |
| XAVC HS | [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80 GB) Approx. 80 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80 GB) Approx. 100 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 340 minutes, When using CEA-G80T (80 GB) Approx. 160 minutes |
| XAVC S | [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80 GB) Approx. 150 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80 GB) Approx. 390 minutes |
| XAVC S-I | [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes |
| PROXY AUDIO |
[XAVC S-I DCI 4K] 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes XAVC Proxy: AAC-LC, 128 kbps, 2 channels |
| PROXY VIDEO | 1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps) |
| RAW Output | |
| RAW Output | HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit |
| Other Video Function | |
| VIDEO FUNCTIONS | Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector |
| Camera Section | |
| SENSOR TYPE | 35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor |
| Pixels | Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total) |
| SENSITIVITY | [Movie] ISO 80–102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit), [Still image] ISO 80–102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit) |
| SHUTTER SPEED | Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 s, Bulb |
| Slow & Quick Motion | |
| XAVC HS | XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps |
| XAVC S | XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps2 |
| XAVC S-I | XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps2 |
| White Balance | |
| WHITE-BALANCE MODES | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom |
| Gamma | |
| GAMMA CURVE | Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| Latitude | |
| LATITUDE | 15+ stop (S-Log3) |
| Focus System | |
| Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| FOCUS POINT | [Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF) |
| SENSITIVITY RANGE | EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached) |
| FOCUS MODE | [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
| FOCUS AREA | [Movie] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot, [Still image] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking |
| OTHER FOCUS FEATURES | Eye AF ([Movie] Human (Right/Left Eye Select), ([Still image] Human (Right/Left Eye Select) / Animal), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35 mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x) |
| Exposure Control | |
| METERING SENSITIVITY | EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached) |
| EXPOSURE MODES | [Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M |
| Recording (Still image) | |
| RECORDING FORMAT | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) |
| IMAGE SIZE | Image size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M |
| Playback | |
| PLAYBACK FUNCTIONS | Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills) |
| Interface | |
| AUDIO INPUT | 0.14 " Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference –40 to –60 dBu / [INPUT3] 0.14 " Stereo minijack) |
| USB | USB Type-C (x1, SuperSpeed USB 5 Gbps [USB 3.2] compatible), Multi/Micro USB (x1) |
| HEADPHONE OUTPUT | Yes (3.5 mm Stereo minijack) |
| SPEAKER OUTPUT | Built-in, monaural |
| HDMI OUTPUT | HDMI jack (Type-A), YCbCr 4:2:2 10 bit / RGB 8 bit |
| MULTI INTERFACE SHOE | With Digital Audio Interface |
| Bluetooth® | Bluetooth Standard Ver. 5.0 (2.4 GHz band) |
| Media | |
| MEDIA TYPE | CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy |
| Monitoring | |
| LCD | 7.5 cm (3.0-type) type, approx. 1.44M dots, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg. |
| Built-in Microphone | |
| BUILT-IN MICROPHONE | Built-in, stereo |
| File System | |
| FILE SYSTEM | FAT12, 16, 32, exFAT |
| Zoom | |
| ZOOM FUNCTION | Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x) |
| Still image function | |
| SHUTTER | Mechanical shutter/Electronic shutter |
| DRIVE MODES | Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
| CONTINUOUS SHOOTING SPEED | Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps |
| NOISE REDUCTION | Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal/Low/Off |
| FLASH CONTROL | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 s. |
| OTHER STILL IMAGE FUNCTION | Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot3 |
| Image Stabilization | |
| Type | Image Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications) |
| MODE | [Movie] Active / Standard / Off, [Still image] On / Off |
| COMPENSATION EFFECT (STILL IMAGES) | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.) |
| Custom Function | |
| CUSTOM FUNCTION | Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set |
| Lens Compensation | |
| LENS COMPENSATION | Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie) |
| Wi-Fi/NFC | |
| SUPPORTED FORMAT | IEEE 802.11a/b/g/n/ac |
| FREQUENCY BAND | 2.4 GHz band/5 GHz band4 |
| SECURITY | WEP/WPA-PSK/WPA2-PSK |
| NFC | NFC Forum Type 3 Tag-compliant |
| FTP Transfer | |
| FTP Transfer | Wired LAN (USB-LAN), USB Tethering, Wi-Fi |
| Supplied Accessories | |
| SUPPLIED ACCESSORIES |
Rechargeable Battery NP-FZ100 Battery Charger BC-QZ1 Power cord XLR handle unit Accessory shoe kit Body cap Accessory shoe cap Handle shoe cap USB-A to USB-C cable (USB 3.2) |
Product Information provided by the Manufacturer
FX3 Cinema Line Full-frame camera
The FX3 Cinema Line camera offers high sensitivity and full-frame cinematic expression in an amazingly compact design. With enhanced mobility for easy solo shooting, alongside pro operability, it's the ideal creative tool to capture a cinematic vision anywhere.
Image sensor with blazingly fast readout speed
The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.
High-performance image-processing engine
The BIONZ XR™ image-processing engine is designed for high speed, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data-transfer, user-interface, and other camera operations.
High sensitivity, wide dynamic range
The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimizing the sensor's output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.
4K High Frame Rate 120fps recording
You can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting.
Acclaimed cinematic color with S-Cinetone™
The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic color to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction even without post-production grading.[1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11).
All-Intra internal recording
In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bit rate, up to 600 Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production.[1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures.
HEVC codec with high compression efficiency
XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.16-bit RAW data output
Facilitating improved image quality and more flexible and efficient editing in post-production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K workflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).
New S-Log shooting modes for optimized image quality
Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Eine EI Quick simplifies setup by automatically switching the camera's base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709 has been added to the available LUT presets.
Proxy recording for more efficient editing workflow
Low-bit-rate HD proxy files can be recorded simultaneously with higher-bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720).
Expand your vision with Creative Look
Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favorite settings as a custom look.
10-bit HLG picture profile
An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout, and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.[1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required).Flexible exposure mode
Flexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed, and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.
Fast Hybrid AF for dependable focus during movie shooting
Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.
Fast, easy and reliable Real-time Tracking and Eye AF
Focus control is fast and intuitive, to ensure you have full creative control of the FX3's powerful AF technology. Real-time Tracking greatly assists during solo shooting by analyzing the subject's color, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.
Fast, easy touch-focus control
Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation-ensuring you have full creative control of the FX3's powerful AF technology.
In-body optical image stabilization for handheld shooting
Relying on a new high-precision stabilization unit, gyro sensors, and optimized image stabilization algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording , even while walking. With this unprecedented level of stabilization it's possible to shoot with the camera only, taking advantage of the compact size and mobility.[1] Track of camera shake [2] Standard [3] Active.
XLR adaptor and digital input for quality audio
The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi-Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.
HDMI Type-A output and monitoring options
With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera's LCD monitor, an HDMI-connected external recording or monitoring device.
Uninterrupted 4K 60p recording
For uninterrupted 4K 60p recording, the FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.
REC lamps and highlighting during video recording
There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.
Customizable buttons for professional movie creators
The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customizable keys and menus deliver streamlined workflows in the field. It's designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.
Various zoom operations tailor your expression
The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle-of-view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary reframing to purposeful cinematic zooms.
Cage-free accessory mounting
Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimized for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.
Touch-driven menu with workflow-based navigation
Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers' work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.
Flexible camera positioning with vari-angle monitor
The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal-mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low-angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity.
Two CFexpress Type A-compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.
Reliable, durable, and lightweight construction
For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.
Reliable durability and weather resistance in tough situations
In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers, and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.
Power for professional length
For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery.
Data communications to support on-site workflow
Wireless 5 GHz/2.4 GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® terminal supporting SuperSpeed USB 5 Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.
Metadata to facilitate editing with Catalyst
Sony's Catalyst Browse and Prepare software are ideal production partners for the FX3. The camera records five types of metadata: LUTs, image stabilization, breathing, camera rotation, and Shot Marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.Amazing quality & camera
titansloth, Tucson, AZ:
I bought this FX3 at the end of October 2024 and it is an amazing camera! such a good platform for all things content creation and more!
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